Bitter Lake (2015) is a thought-provoking documentary that delves into the intricate web of politics, manipulation, and control surrounding the conflicts in Afghanistan. With a focus on the Helmand Province, the film examines the oversimplification of the Afghan Civil War and its connection to September 11, 2001. Through a lens of fear and conflict-of-interest, it reveals the devastating consequences of the opium trade, the feedback loop of violence, and the role of the US in perpetuating the carnage. Bitter Lake exposes the influence of Gulf War politics, the arms industry, and financialization, shedding light on the impact of neoliberalism and the oil crisis. It uncovers the subterfuge, propaganda, and manipulation by Islamic fundamentalist groups and exposes the political myths perpetuated by the Big Lie. The film also explores the complex dynamics of assassination, the rise of Al-Qaeda and ISIS, and the role of crony capitalism. Through a lens of religious movements, it examines the theological doctrine, religious intolerance, and fundamentalism in ultraconservative Islamic countries like Saudi Arabia. Bitter Lake presents a compelling and eye-opening critique of the intertwined forces that have shaped Afghanistan and the global consequences of these events.
The New Watchdogs explores the role of the media in shaping public opinion and the ethical dilemmas faced by journalists. It delves into issues like self-censorship, media concentration, and the corrupting influence of capitalism. Through interviews and archive footage, the documentary exposes the conflicts of interest and political debates that occur in the world of television journalism.
"The palm trees on the reverse are a delusion; so is the pink sand". This line, taken from a poem by Margaret Atwood, lights the path traced in "Postcard". As the years go by, landscapes transform, take on new meanings, and hold onto joys that will never be regained. The sea and the beach, once stages of happy summers, romances, and encounters, will turn into concentration camps or centers of detention and torture. This occurs across different times and places. In this piece, I embark on a journey through some of my works that explore the relationship between testimony, spaces, and time, engaging in dialogue with the beautiful film directed by Alejandro Segovia in 1972.
In this episode of HIUWTS, Hana’s birthday goes wrong! Mom throws the perfect party, but Dad spoils all the fun… Watch as the TV crew invades the family’s home and the show distorts their reality!
Winnipeg Film Group. Deep in the winter of 1986. Guy Maddin is in the process of filming Tales from the Gimli Hospital and needs to rub a dead seagull on somebody's chest. Immediately, Dave Barber agrees, submitting his bare flesh to Maddin's road kill and to film history. (This film was commissioned by the Winnipeg Film Group's Cinematheque for its 25th anniversary, Silverscope)
Damon Packard parodies the making of Star Wars: Attack of the Clones
This film subverts info-mercials designed to promote well-being and turns them into an anxiety-inducing collage.
No More results found.