A feminist noir comedy set against a bucolic backdrop with a rising body count.
Amelia celebrates her 40th birthday by wishing to be 18 again in 2002. However, she soon realizes she is trapped in a time loop and must fix a hidden issue before she can move on from the past.
Port Authority is a drama/romance movie set in New York City. The story revolves around a young man named Paul who arrives in the city and gets involved with a transsexual woman named Lee. As their relationship develops, they face challenges and explore themes of love, identity, and acceptance.
Red Line 7000 is a movie set in the 1960s that follows the lives of race car drivers and the intense rivalries and betrayals that unfold on and off the racetrack. The story revolves around a group of ambitious drivers who compete in stock car racing, leading to conflicts, romantic difficulties, and even attempted murder. It explores themes of insecurity, jealousy, and the dark side of competition. The plot also delves into the personal struggles of the characters, including relationship difficulties and the loss of a hand in a car crash. Red Line 7000 showcases the tensions and complexities within the race car driver's social circle, depicting misogyny, bitterness, and the repressive nature of the era. The movie combines action, drama, and sports, capturing the thrill of automobile racing and the dedication of the drivers. With explosive car crashes, a touch of romance, and intense rivalries, Red Line 7000 keeps viewers on the edge of their seats.
When a personal trainer is fired from her job in Washington state, she takes on an out-of-town job offer at a spa resort in Santa Monica. There, she meets a celebrity client who helps her rediscover her passion for fitness and love. As they embark on a journey of wellness and self-discovery, they face challenges and misunderstandings that test their relationship.
Shere Hite's bestselling book The Hite Report liberated female orgasm by revealing the most private experiences of thousands of anonymous surveys. Her findings rocked the American establishment and conversations about gender and sexuality.
One woman’s desperate struggle to survive a horde of men with frail egos, who just want to explain everything to her. But the biggest horror may be closer to her than she thinks.
ME/WE, OKAY, and GRAY consists of a short three-episode film and a 3-monitor installation. The installation is intended for showing in museums and galleries, and the episodes of the film version in cinemas among trailers and between the adverts on television. ME/WE is about balancing individual identity and about control. In an absurd episode a nuclear family of four is in the backyard hanging out white sheets to dry. The story is told via a monologue by the father. He mirrors himself and his life in the members of his family, seeing himself at moments when he recognises differences and similarities. Darkness falls – the sheets glow in the night like blank white screens. The father directs his words to viewers. His voice also speaks the other characters’ lines, with the others opening and closing their mouths in the appropriate rhythms. Who in the end is speaking, what is an individual and where are the boundaries of the self?
When a personal trainer is fired from his job and offered an out-of-town opportunity, he finds himself in Santa Monica where he meets a film star. As they navigate misunderstandings, misadventures, and a business partnership, they discover a connection that goes beyond the surface.
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