When a bedridden woman accidentally overhears a phone conversation about a murder plot, she becomes inextricably involved in a web of deception and danger. With only a phone line as her connection to the outside world, she must race against time to save her own life.
In the bustling city of Manhattan, an undercover detective investigates illegal activities at a hospital. As he delves deeper, he becomes entangled in a web of deception, drugs, and murder. Trapped between his duty and personal entanglements, he must navigate the dangerous underworld to uncover the truth.
The mysterious owner of a costume shop rents a Santa Claus suit to three very different men: a math teacher trying to get the nerve to propose, a homeless restaurateur trying to hide from the mob, and a harried political speech writer visiting with his estranged wife and son. Their lives are inexorably changed by their experience of playing Santa Claus.
At the end of the Reagan years, rocker and confrontational performance artist Lydia Lunch launches a broadside. From a formal podium, she attacks the white male power structure of the US. Next she takes on her parents. Then, the volume lowered and the background the streets of New York, she lets us know what she thinks of life, of herself, and of us, anyone who's watching or listening. Life is depression, despair, and death. She's the girl next door gone bad. And us? Compliant sheep. Lunch lays out a challenge.
New York City's various bridges transform into an urban jungle (jazz version) or an alien landscape (electro-acoustic version).
Bugs lectures his nephew Clyde about early America, inserting himself into events wherever possible.
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