Mickey Mouse throws a surprise birthday party with his friends, but things don't go as planned when an exploding cake causes chaos.
In Carry On Cruising, a group of holidaymakers embark on a cruise ship where romantic entanglements and comedic misadventures ensue. The film is known for its campy humor and innuendo-laden jokes. With a cast of colorful characters, including a ship captain, steward, cook, and doctor, the passengers navigate the high seas in search of love and laughter.
Following the story of a Christian baker who refused to bake a custom wedding cake for a gay couple.
Fear of Fear is a 1975 movie set in West Germany, focusing on a thirty-something housewife named Margot who begins to experience intense anxiety and depression. As her fears escalate, she becomes increasingly reliant on valium and alcohol to cope with her emotions. The film explores the impact of her mental health issues on her relationships, particularly her strained marriage and conflict with her in-laws. Margot's struggle with her own mental breakdown and the challenges she faces in seeking treatment highlight the complexities of mental illness. Based on a novel, Fear of Fear delves into themes of fear, unhappiness, and the societal pressures faced by middle-class women in urban settings during the 1970s.
Barney, outraged by his neighbor William Wildcat spanking his son, borrows the lad to try applying child psychology. But the boy's grasp of psychology (and explosives) is much better than Barney's.
No Strangers Here is a fictionalised account of a family of "new Australians" arriving in their new home town. The family (mum, dad, girl and boy) are displaced persons from Northern and Eastern Europe. Produced for the Department of Immigration during the migrant boom that followed World War Two, the film's essential message is "We want them. We need them". It presents an idealised Australia, "a happy, smiling land" where people are generally friendly and accepting despite some xenophobia, and echoes the government policies of decentralisation and assimilation.
In 2002, 30 young people gave up their jobs, homes and relationships to take part in what they believed was a new TV reality game show with the chance to win £100,000. The Great Reality TV Swindle examines how their dreams of fame and fortune disappeared as the project descended into farce. For those who were selected, it seemed to be the chance of a lifetime. But when the contestants arrived to meet charismatic producer Nik Russian they soon realised there was something seriously wrong. There was no broadcaster, no prize money and no show. The Great Reality TV Swindle features exclusive footage of the faked reality show as it unravelled over the course of a week. It looks at what drove the contestants to chase fame and the price they were forced to pay, and follows some as they track down the man they hold responsible to demand an explanation
Two girls reunite after a traumatic near-death experience, which occurs in 10 central minutes of 24-year-old Julie's life. She stands face to face with unbearable injustice.
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