The Beautiful Prisoner tells the story of a woman who finds herself trapped in a surreal and mysterious prison. As she tries to navigate her way out, she encounters strange visions and surrealistic settings. The movie explores themes of confinement, identity, and the power of imagination.
Rene Dadiani, a big city dweller, teaches video art in a film school, while at the same time working for a propane delivery office. He claims real men are men of many hats. In film school, he's one of the avid preachers of self-initiated absurd theory. He assumes that one can enhance the power of imagination by way of altering consciousness that, on its turn, can give way to new reality. Rene often observes life via his Handycam. Sometimes those he captures are not only the 'real' people, but imaginary personalities, too.
A paper cut-out stop-motion animation where the protagonist visits an exhibition of Matisse-inspired paper cuts in her pink wheelchair and is transported from the reality of the dull grey world outside into the colourful world of her imagination.
In Seán Martin's "Koan IV", an opening provocation suggests that the things we see continually hide the things we'd like to see. What we see after this is mist in a Scottish landscape. Martin's patient, enigmatic film contemplates a popular image of romance and intrigue attributed to a rural identity, alluding to what is hidden, what is real and what does not exist.
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