The Battle of Algiers is a powerful docudrama depicting the violent conflict between the National Liberation Front (FLN) and the French colonial government during the Algerian War of Independence. The film explores the tactics employed by both sides, including guerilla warfare and acts of terrorism, as well as the impact of the conflict on the civilian population. It is based on true events and provides a harrowing account of the Algerian people's fight against oppression.
Pépé le Moko is a criminal and wanted man who hides in the Casbah in Algiers. The police inspector is determined to catch him and offers him a deal to escape the Casbah safely. Pépé falls in love with an Algerian girl, but their unrequited love leads to tragic consequences.
Adam is a drama film that tells the story of a widowed woman who finds solace and purpose in her love for baking. Set in Casablanca, Morocco, the film explores themes of motherhood, homelesness, and the power of community.
Chronicle of the Years of Fire (1975) is a historical drama that depicts the Algerian resistance against French colonialism and their fight for liberation. Set in the 1940s and 1950s, the film explores the harsh realities faced by Algerians under French occupation, including racial segregation, political activism, and the struggle for independence. It highlights key moments such as massacres, the involvement of Nazi Germany during World War Two, and the guerilla warfare tactics used by the Algerian rebels.
In 1939 in eastern Algeria, Omar, a young boy of ten, lives with his family in a room in Dar Sbitar, a house shared by several families who overcome the trials they go through every day to ensure their subsistence. Her deceased father is Aïni, the mother, who bleeds herself from all four veins to keep her children and their grandmother alive. The families of Dar Sbitar share their intimacy and their daily life, this life animates the big house, which itself becomes a character in its own right. "El Harik" (The Fire), is an Algerian drama series in 10 episodes adapted from Mohamed Dib's trilogy "The Big House", "The Fire" and "The Loom".
Through the fictionalized lives of two young Saint-Simonians, this television film presents the history of French colonization in Algeria from 1837 to the end of the Second Empire.
Inspired by the legendary Princess Zaphira, this movie depicts her fight to defend her community from the pirate Barbarossa and protect her people from harm.
During the 1920s in French Morocco, a French soldier disguises himself as a woman to infiltrate a terrorist group. He joins a commando unit on a mission to stop a terrorist plot and engages in sword fights, martial arts, and intense battles behind enemy lines.
What musical genre can claim to have gone, in the space of fifty years, from a hidden cabaret in Oran to Super Bowl halftime? Born in Algeria at the end of the Second World War, the raï wave spread from the cabarets of western Algeria to the cassette shops of Barbès in Paris, before sweeping the world at the end of the 1980s. its hybridization, the intoxicating music traveled from Algerian and French weddings to the biggest international stages, before suddenly disappearing from the radar at the dawn of the new millennium. Icons that have disappeared, including Cheikha Remitti and Prince Hasni, to young heirs, passing by the star Khaled, the collector Hadj Sameer trace the tumultuous course of this musical genre, between clandestinity, planetary glory and resistance.
This film deals with the aftermath of the Algerian war of liberation. Georges Montero, an Algerian-born Frenchman, manages an olive canning factory in Oran. He travels to Paris for a cataract operation. Marinette, his sister, and Belka, his friend and a recent immigrant, want him to return to France permanently. Friction develops between the two friends as Georges is pressured to sell his factory. Friendship developed between Georges and his surgeon, who as a French Arab has severed ties with his culture and country of origin.
A story of the Second Punic Wars, beginning with Scipio's futile pleas to the Roman Senate to build an army to battle Hannibal, that climaxes with the battle of Zama.
Au milieu de nulle part, une cité ouvrière vidée de sa population depuis quelques années déjà. Pourtant, certains habitants ont décidé d'y rester, plus par choix que par nécessité, parce que c'est là qu'ils sont nés et qu'ils ont grandi. Parmi eux il y a Francis, l'ouvrier consciencieux qui continue d'entretenir la machine sur laquelle il a travaillé toute sa vie ; Samir, son fils.
On November 1, 1954, the National Liberation Front of Algeria announced the war for the country's independence. France, colonizer since 1830, hastened to reinforce its military contingent in the four corners of the country and to prevent the advance of the rebels. A little Chaoui, born in a mountainous region of the country, sees his placid childhood collapse in the middle of a crossfire that he does not understand. The story, inspired by real testimonies, is constructed with images from the archives of the French army. From this apparently dissociated dialogue between image and word arises a sensitive homage to the memory that rests in the archives and to the ignored voice of its protagonists.
Using his personal background, Brazilian Karim Aïnous invites the audience to follow/discover an incredible journey through space and time, with an original and usually unknown prism/aspect : The strong bound between Algeria and Brazil, two countries with political and revolutionary strikes that mould their evolution.
In 1967, Visconti came to Algiers for the filming of The Stranger with Mastroianni and Anna Karina. Camus, during his lifetime, had always refused to allow one of his novels to be brought to the screen. His family made another decision. The filming of the film was experienced in Algiers, like a posthumous return of the writer to Algiers. During filming, a young filmmaker specializing in documentaries Gérard Patris attempts a report on the impact of the filming of The Stranger on the Algerians. Interspersed with sequences from the shooting of Visconti's film, he films Poncet, Maisonseul, Bénisti and Sénac, friends of Camus, in full discussions to situate Camus and his work in a sociological and historical context. “The idea is for us to show people, others, ourselves as if they could all be Meursault, or at least the witnesses concerned to his drama.”
Experience the stunning landscapes, vibrant culture, and rich history of Algeria through breathtaking aerial footage.
Inspector Tahar decides to take a much-needed holiday in a seaside resort. However, he quickly finds himself entangled in a series of comedic mishaps and misunderstandings. From suspected adultery to running out of gas, Tahar's holiday turns into a chaotic adventure. With his witty charm and determination, he navigates through cross-dressing, stolen cars, and magic shows. As he tries to enjoy his vacation, he also finds himself caught up in the local blockbuster of the resort. This light-hearted movie showcases the humorous side of life in Tunisia and the Maghreb region of Algeria.
These are the first images shot in the ALN maquis, camera in hand, at the end of 1956 and in 1957. These war images taken in the Aurès-Nementchas are intended to be the basis of a dialogue between French and Algerians for peace in Algeria, by demonstrating the existence of an armed organization close to the people. Three versions of Algeria in Flames are produced: French, German and Arabic. From the end of the editing, the film circulates without any cuts throughout the world, except in France where the first screening takes place in the occupied Sorbonne in 1968. Certain images of the film have circulated and are found in films, in particular Algerian films. Because of the excitement caused by this film, he was forced to go into hiding for 25 months. After the declaration of independence, he founded the first Algerian Audiovisual Center.
A small abandoned house, isolated in the Algerian countryside. Here Ouardia has buried her son Tarik, a soldier possibly killed by his own brother Ali, leader of an Islamist group. In this atmosphere, tense with pain and brittle with drought, life will little by little reassert itself. Thanks to the garden that Ouardia will bring to life by dint of courage, work, and obstinacy.