The Battle of Algiers is a powerful docudrama depicting the violent conflict between the National Liberation Front (FLN) and the French colonial government during the Algerian War of Independence. The film explores the tactics employed by both sides, including guerilla warfare and acts of terrorism, as well as the impact of the conflict on the civilian population. It is based on true events and provides a harrowing account of the Algerian people's fight against oppression.
Pépé le Moko is a criminal and wanted man who hides in the Casbah in Algiers. The police inspector is determined to catch him and offers him a deal to escape the Casbah safely. Pépé falls in love with an Algerian girl, but their unrequited love leads to tragic consequences.
Chronicle of the Years of Fire (1975) is a historical drama that depicts the Algerian resistance against French colonialism and their fight for liberation. Set in the 1940s and 1950s, the film explores the harsh realities faced by Algerians under French occupation, including racial segregation, political activism, and the struggle for independence. It highlights key moments such as massacres, the involvement of Nazi Germany during World War Two, and the guerilla warfare tactics used by the Algerian rebels.
Inspired by the legendary Princess Zaphira, this movie depicts her fight to defend her community from the pirate Barbarossa and protect her people from harm.
Adam is a drama film that tells the story of a widowed woman who finds solace and purpose in her love for baking. Set in Casablanca, Morocco, the film explores themes of motherhood, homelesness, and the power of community.
In 1939 in eastern Algeria, Omar, a young boy of ten, lives with his family in a room in Dar Sbitar, a house shared by several families who overcome the trials they go through every day to ensure their subsistence. Her deceased father is Aïni, the mother, who bleeds herself from all four veins to keep her children and their grandmother alive. The families of Dar Sbitar share their intimacy and their daily life, this life animates the big house, which itself becomes a character in its own right. "El Harik" (The Fire), is an Algerian drama series in 10 episodes adapted from Mohamed Dib's trilogy "The Big House", "The Fire" and "The Loom".
During the 1920s in French Morocco, a French soldier disguises himself as a woman to infiltrate a terrorist group. He joins a commando unit on a mission to stop a terrorist plot and engages in sword fights, martial arts, and intense battles behind enemy lines.
This film deals with the aftermath of the Algerian war of liberation. Georges Montero, an Algerian-born Frenchman, manages an olive canning factory in Oran. He travels to Paris for a cataract operation. Marinette, his sister, and Belka, his friend and a recent immigrant, want him to return to France permanently. Friction develops between the two friends as Georges is pressured to sell his factory. Friendship developed between Georges and his surgeon, who as a French Arab has severed ties with his culture and country of origin.
In the heart of the Camargue region, in the south of France, Jawad and Belka find freedom in their love of Camargue races. For these young Maghrebi men, the event is more than a simple tradition. Facing off with a bull is an opportunity to establish their place in the arena—and in French society. But at what cost?
Led by Daoudi, a disenchanted architect, a group of Constantines return to their village in deep Algeria where a young man delivers to them words of boyish wisdom inherited from his deceased grandfather..
The daily life and tribulations of colorful residents in the millennial popular district of the Casbah of Algiers.
An animated short set to a Moroccan Jewish recitation of Psalm 121
In 1950, in Algeria, in a village in Kabylia, Algerian resistance fighters resisted the French occupation army. Bachir returns to the village to escape the clashes ravaging Algiers. In Thala, he has two brothers, Ali and Belaïd. The first is engaged with the ALN (The National Liberation Army) and fights against the colonizer. His second brother, Belaïd, the eldest, is convinced of a French Algeria. His family torn apart, Bachir decides to join the war and takes sides against the repression of the French army. The French army is trying in vain to turn the population against the insurgents by using disinformation. The more time passes, the more the inhabitants of the village and surrounding areas, oppressed, rally to the cause of the FLN, their houses and their fields will be burned... Adaptation to the cinema of the eponymous novel Opium and the Stick, published in 1965, by Mouloud Mammeri, the film was dubbed into Tamazight (Berber), a first for Algerian cinema.
A story of the Second Punic Wars, beginning with Scipio's futile pleas to the Roman Senate to build an army to battle Hannibal, that climaxes with the battle of Zama.
What musical genre can claim to have gone, in the space of fifty years, from a hidden cabaret in Oran to Super Bowl halftime? Born in Algeria at the end of the Second World War, the raï wave spread from the cabarets of western Algeria to the cassette shops of Barbès in Paris, before sweeping the world at the end of the 1980s. its hybridization, the intoxicating music traveled from Algerian and French weddings to the biggest international stages, before suddenly disappearing from the radar at the dawn of the new millennium. Icons that have disappeared, including Cheikha Remitti and Prince Hasni, to young heirs, passing by the star Khaled, the collector Hadj Sameer trace the tumultuous course of this musical genre, between clandestinity, planetary glory and resistance.
He is a 75-year-old half-blind man. He takes 3000 steps every day. Since 2004 he has made a decision: he will no longer talk about cinema. Boudjemâa, our living memory. That of Algerian cinema, African cinema, Arab cinema, cinema in short. The Algiers Cinematheque. The “masterpiece of Algerian cinema”. Boudjemâa Karèche directed it for 34 years. So why does Boudjemâa no longer talk about cinema? The answer lies next to the circumstances which caused his ouster from the Cinémathèque. Boudjemâa was silent. The time has come for him to let the word think for itself.
Experience the stunning landscapes, vibrant culture, and rich history of Algeria through breathtaking aerial footage.
Who remembers Mohamed Zinet? In the eyes of French spectators who reserve his face and his frail silhouette, he is simply the “Arab actor” of French films of the 1970s, from Yves Boisset to Claude Lelouch. In Algeria, he's a completely different character... A child of the Casbah, he is the brilliant author of a film shot in the streets of Algiers in 1970, Tahya Ya Didou. Through this unique work, Zinet invents a new cinema, tells another story, shows the Algerians like never before. In the footsteps of his elder, in the alleys of the Casbah or on the port of Algiers, Mohammed Latrèche will retrace the story of Tahya Ya Didou and its director.
J'ai Huit Ans (1962) is a thought-provoking movie that delves into the Algerian War and its effects on the lives of children. Directed by René Vautier, this film highlights the stories of war orphans and portrays the resilience and strength of the young protagonists. Set in the backdrop of colonialism and the Algerian resistance, it sheds light on the struggles faced by a generation caught in the turmoil of war. With themes of refuge, identity, and the brutality of conflict, J'ai Huit Ans exposes the harsh realities faced by war children in Africa and explores the hope that still exists amidst adversity.