After serving a 12-year prison sentence for child molestation, Walter is released and moves into a small apartment building. He finds work in a lumberyard and becomes involved with a coworker. As Walter struggles to control his urges and face society's judgment, he forms a connection with a young girl he meets in the park. Despite his efforts to change, Walter's past continues to haunt him as he is suspected of a new crime.
In Countdown, a female police officer must race against time to disarm a time bomb before it explodes. She faces various obstacles and challenges, including a corrupt official and the bratva Russian mafia. With the help of a bomb squad and her own determination, she must overcome these obstacles to save lives.
The Brute is a dramatic film set in a working-class neighborhood in 1950s Mexico. It follows the story of a strong man who works in a slaughterhouse and becomes involved in a love triangle. The film explores themes of class differences, violence, and the power of love.
In Target, an American man in Paris must use his skills as a tough guy to disarm a bomb and rescue his son before time runs out. With a race against time, he must navigate through various obstacles, including assassins, double-crosses, and undercovers, to save his son's life.
A homeless cat (Claude Cat) searching for food is harassed by the playful antics and barking of an energetic pup (Frisky Puppy). Frisky repeatedly sneaks up behind the poor tabby cat (who hates the dog) and scares it into jumping vertically when it barks. After Claude finally silences the pup, he encounters a larger dog, whose bark has a disastrous effect. Tweety Bird has two lines. Can you guess what they are?
Sergeant Ken Strange, of the Canadian Mounted Police, and his dog, King, are on the trial of the murderer.
A troubled youth vandalizes a church and winds up in a close association with the woodcarver whose work he destroyed.
The Super-Sex is a 1922 American silent comedy film directed by Lambert Hillyer and starring Robert Gordon, Charlotte Pierce and Tully Marshall.
One long chase: worm chases apple; bird chases worm; cat chases bird; dog chases cat; dogcatcher chases dog; dogcatcher's wife chases dogcatcher; mouse chases dogcatcher's wife. With occasional interruptions by a skunk.
The strange, disjointed love story in the existentialist film Windy Day transported the young lovers to an island off the town of Kotka.
Two beavers, working harder than beavers, are cutting down trees in order to build a dam when they notice cords of wood piled next to a dog-house. They start hauling it off, as a labor-saving device, but the guard-dog objects and starts chasing them. They easily avoid his futile attempts to catch them and, to add insult to injury, they even dismantle the dog-house. When winter comes and the first snow, the dog, his house destroyed by the beavers, is out in the cold. Ashamed of their actions, the two beavers disguise the dog as a beaver, and the trio spends the winter in the beaver's home.
Heckle and Jeckle, the talking magpies, are in need of upgraded-housing and decide to help themselves to the logs and lumber laying unused in Big Pierre's lumber yard. Big Pierre thinks this a bit high-handed on the part of the two birds, and his objections leads to several battles and mêlées, which leads to a big explosion which causes the logs to fall and form a house. But the house collapses, and Heckle and Jeckle shrug it off and depart the premises.
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