In 1951, a young Jewish atheist from Newark, New Jersey, attends a conservative college in Ohio, where he faces anti-Semitism and sexual repression. As he navigates the conflicting realities of the 1950s and his own desires for independence, he finds himself caught between the traditions of his upbringing and his desire to break free.
In Death Takes a Holiday (1934), Death, personified as a young prince, decides to take a break from his grim duties and takes on human form for three days. While on a holiday in Italy, he falls in love with a beautiful young woman, but his love is tested when he realizes that he must decide between his immortality and his newfound mortal love. The film explores themes of love, mortality, and the choices we make in the face of death.
After her husband disappears, a woman reunites with him as a ghost and together they embark on a journey to various places, encountering new and old friends as they explore their relationship beyond death.
Gabriella finds an unfinished symphony that was written by her late uncle Octave Barron who found inspiration through murder. Thrilled by it's possibilities she hires Marius (Ben Cross) to complete the symphony. As he begins work on the piece he finds himself stuck in a bizarre murdering cycle handed down from the original composer.
After a woman's husband dies while jogging in the park, the young widow's deep grief helps to awaken his ghost. The ghost urges her to commit suicide to join him in the afterlife. While the young woman is making up her mind about suicide, her husband's ghost helps with a current murder case.
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