In this animated Christmas movie, a talking mouse helps save Christmas by making amends and believing in Santa Claus. The movie is based on the poem 'Twas the Night Before Christmas and portrays the story of a town that has lost faith in Santa Claus. It follows the adventures of a mouse named Albert who teams up with Santa Claus to restore the town's belief in Christmas.
Ulysses is a drama film based on the novel of the same name by James Joyce. Set in Dublin, Ireland, it follows a day in the life of Leopold Bloom and Stephen Dedalus as they navigate various encounters and events. Through stream-of-consciousness narrative and intricate storytelling, the film explores themes of love, identity, and artistic freedom.
When 8-year-old girl Virginia writes a letter to the editor of a newspaper asking if Santa Claus is real, a seasoned reporter takes on the task of proving his existence. Through the power of belief and the magic of Christmas, the community comes together to show Virginia that Santa Claus does exist.
In 1897 New York, Virginia, an 8-year-old girl, writes a letter to the editor of a newspaper asking if Santa Claus is real. The editor assigns an investigative journalist to find the truth, leading to a heartwarming adventure of discovery and belief in the spirit of Christmas.
Partly based on a true story, a little girl writes to the editor of a newspaper concerning the existence of Santa Claus.
Out in the Silence is a documentary that explores the reactions and challenges faced by a small town when a same-sex wedding announcement is published in their local newspaper. The film follows the personal stories of several individuals and their experiences with homophobia, hate crimes, and discrimination in a rural setting. It also highlights the power of community, friendship, and the fight for equality.
No Strangers Here is a fictionalised account of a family of "new Australians" arriving in their new home town. The family (mum, dad, girl and boy) are displaced persons from Northern and Eastern Europe. Produced for the Department of Immigration during the migrant boom that followed World War Two, the film's essential message is "We want them. We need them". It presents an idealised Australia, "a happy, smiling land" where people are generally friendly and accepting despite some xenophobia, and echoes the government policies of decentralisation and assimilation.
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