Like it or not, almost anyone who has met a really serious poet finds that they have something about them which sets them apart from other people. It's not just a romantic legend. In wry but basically directionless Finnish movie, Paavo Pentikainen plays one of these ungainly beings, a man whose last published work is decades in the past, who probably hasn't written anything in years, but who still has an uncanny knack for precise observation, "pinning the tail on the donkey" almost every time. In the movie, the poet, accompanied by his young assistant, takes a minor celebrity's swaggering tour of small cultural centers and retirement homes.
After a lack of inspiration in Chicago, a journalist returns to her hometown in North Dakota and discovers an amazing winter romance. She reunites with a childhood friend and faces a romantic rival while navigating through various winter activities and heartwarming experiences.
A writer of pulp Westerns cranks out more words than his editor and publisher want to pay for.
As the driver of a garbage truck in Arles, Marc-Antoine leads a quiet life with his wife, Mélanie, and their two children. When Amédée's "Fanny" is stolen from the bouliste club, Marc-Antoine offers to repaint another one. As soon as the work is finished, he becomes a local celebrity and, intoxicated by his new-found fame, leaves his family to go with Hélène, the young waitress, to his friend Septime's house in the Camargue to take up painting. Eventually, Marc-Antoine realizes that he is dissatisfied and that his success seems dishonest. He realizes that happiness awaits him with his wife, children and friends, and resumes his simple life without remorse.
During the coronavirus lockdown, an uninspired artist takes on the challenge of making a zero-budget film all by himself, showcasing the struggles and lack of inspiration he faces along the way.
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