A subjective adaptation of a well-known autobiographical novel by Zbigniew Unilowski (screenplay by Wojciech Jerzy Has with dialogues by Stanislaw Dygat). The adventures of the tenants of a sublet room in a Warsaw townhouse inhabited mostly by students and novice writers, presented against the social context of the 1930s.
A man driving a taxi gets caught up in a web of murder, rivalry, and deception in the bustling city.
A newly promoted plant supervisor finds himself in the position of having to announce a layoff of his fellow workers.
A debt-ridden divorced mother and factory worker strives to get a higher-paying job on the traditionally all-male main assembly line.
Two factory owners, Hiram Maxwell and Nicholas Harding are almost polar opposites -- Maxwell pays careful attention to his employees needs, while Harding totally disregards them. Maxwell's son, Frank, is very much like his father, and he is engaged to Harding's daughter, Ethel, who, unfortunately, has some of her father's less appealing traits. Naturally, she's not thrilled when he goes to work amongst the laborers at her father's factory. One of the other workers is Ruth Kravo, and both Frank and Ivan Koyloff are attracted to her. One night when Frank calls on Ruth, Ivan jealously stabs him. The trouble this causes loses Ruth her job, but she goes to work as a secret service agent amongst her own people.
The Renault factory in Belgium must close down. Nobody can believe it. We follow the investigations by the director who is at the heart of the action and who interviews main politicians, the workers who violently protest and the direction. In the fiction part the president-director of Renault, Schweitzer is killed by one of the workers.
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