As the world faces a threat of global destruction, the Protagonist becomes involved in a mission that takes him into the world of international espionage. With the help of a secret organization and the power of time inversion, he must stop an arms dealer who is in control of technology that can reverse the entropy of objects. Along the way, he faces danger, betrayal, and a race against time to save the world.
Man with a Movie Camera is an experimental documentary film that showcases various aspects of urban life in the Soviet Union in the 1920s. It is known for its innovative filmmaking techniques and avant-garde style, including the use of montage and the incorporation of a film-within-a-film.
In the early 1900s, a Russian Jew wrongfully accused of murder fights for justice in a corrupt system. The film delves into his struggle to maintain his faith and identity while facing anti-Semitism and institutional injustice.
Ilya Kabakov is considered one of the most important contemporary artists worldwide. Born and raised in the Ukraine in the period between Stalin and Gorbatschow he left the country in the 80s. In his Installations and his numerous paintings Kabakov creates a world of its own, which leaves the heaviness of socialist and post-socialist life far behind. The film links Ilya Kabakovs artistic spaces with insights into Russian everyday life, which itself sometimes appears like an installation by the artist.
AMIN portrays Qashqai musician Amin Aghaie, a young modern nomad and his family who despite facing steep financial, cultural and political obstacles are dedicated to their art and culture. Amin travels to remote towns and villages to record the music of the surviving masters whose numbers decline each year. His nomadic family are selling their meager belongings to help support their son's education in performance and ethnomusicology at Tchaikovsky's Conservatory in Kyiv, Ukraine, but it is not enough. Amin, desperate to finish his academic education, sells his violins one at a time just to pay for his tuition.
Tatiana is forty-two years old and she is a stylist for one of Kiev’s women’s magazines. She is ironic, self-confident, Tatiana lives in a large house on the suburbs of the Ukrainian capital and she enjoys the freedom that her recent divorce gave her. Her quite successful life is interrupted by the outbreak of the war. Friends and acquaintances come to her house, including her ex-husband and colleague who has a crush on her. Together, they watch how Russia destroys their city. After a few days, almost everyone tries to get out of Kiev and persuades Tatiana to follow. But she can’t make up her mind.
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