Movies and TvShows featuring "koko-the-clown-character" theme.
Betty Boop runs for president in a loose storyline assembled from Fleischer cartoons redrawn by Korean animators.
Max and Dave Fliescher are eating hot dogs in their animation studio and begin drawing. The hot dog becomes a "real" dog, and it and Ko-Ko the Clown alarmingly end up inside a Gas Chamber.
Koko the clown encounters supernatural beings.
Part of Max Fleischer's "Out of the Inkwell" series.
In Los Angeles, Betty Boop works as a waitress and her friends Koko and Bimbo in the kitchen of a dinning place, which is permanently crowded. The greatest attraction for clients is Betty Boop singing, while dreaming to be a Hollywood star.
Koko the Clown and Bimbo overhear Betty Boop singing about how much she wants a fur coat. That's enough for them. Now they're off to bag themselves a moose, a bear, a fox, a lion, a leopard. It doesn't much matter as long as a fur coat will bag Betty. But neither of them are especially competent at the sport. Koko has to put up with a moose that fires back; while Bimbo suffers the wrath of a lion who multiplies after being shot. And neither hunter accounts for Betty's fickleness or her kind heart.
Betty Boop and friends meet Louis Armstrong on a jungle safari.
Max is inspired by a cute puppy, and gives Ko-Ko a trained dog to show off in a circus ring. The dog performs a variety of tricks, but things get out of hand once Ko-Ko's trained fleas are let loose into the crowd.
Minnie the Moocher is a surreal comedy about a girl named Betty Boop who runs away from home and encounters supernatural and musical adventures. She meets a skeleton named Bimbo and they come across a ghost and an animate skeleton. Along the way, they encounter various surreal and fantastical elements such as an anthropomorphic flower, a talking walrus, and a jazz band. The film combines dark comedy, musical numbers, and supernatural horror in a unique and entertaining way.
Max Fleischer draws a clown, who comes alive on the page. The clown doesn't like the way he is drawn and demonstrates his own artistic abilities.
“Tramp, Tramp, Tramp the Boys Are Marching” features a song that dates back to the Civil War, one which was still familiar to audiences of the 1920s. The cartoon begins as Koko the Clown emerges from an inkwell-- an iconic image for animation buffs --and then steps over to a chalkboard to draw an orchestra. The band, “Koko's Glee Club,” marches to a nearby cinema (accompanied by a dog who beats cymbals with his tail) where they lead the audience in the title song.
Max Fleischer considers hiring a new cartoonist. While the new guy draws Max's portrait, Koko gets into a fight with a cartoon Chinese man.
Max has a toothache, and it's up to The Clown and a bespectacled rabbit to pull out the aching tooth.
Koko the Clown discovers a machine that can make cartoons.
Snow-White is a classic hand-drawn animated movie that parodies the fairytale of Snow White and the Seven Dwarves. It combines slapstick comedy and surreal elements to tell the story of Snow-White, who encounters a wicked stepmother, anthropomorphic characters, and magical mirrors. The movie features a mix of blues and jazz music, along with jukebox musical elements. Snow-White faces challenges such as being turned inside out, encountering a snowstorm, and being sentenced to death. It explores themes of jealousy, anthropomorphism, and surrealism.
Daredevil sign painters Bimbo and Koko like what they see through the window of Betty Boop's Dancing School, and stay for a lesson.
Max sends Ko-Ko on a rocket toward the moon, but Ko-Ko crash lands on Mars, where he encounters bizarre creatures and contraptions. Meanwhile, Max himself is blasted into outer space.
Ko-Ko the Clown and his dog Fitz walk into a building where levers that control various aspects of the Earth are located. After Fitz presses a particular lever, the world goes topsy-turvy and out-of-control. Note that this cartoon contains strobe flashing.
An "Out of the Inkwell" cartoon featuring Ko-Ko the Clown.
When a Native American artist sells a selection of his background drawings and original characters to Fleischer, Koko gives the new arrivals a cold reception.