an unforgettable journey across the Icelandic landscape as mixing live action and pixilation to produce an enchanting, timeless short film. Shot on Kodachrome Super 8mm in western, northern, eastern and southen Iceland including interior Iceland in late summer 2004. Dedicated to Buddy King Leiser.
This dazzling stop-motion animation provided Vorkapich with a forum to demonstrate complex perceptual theories related to the persistence of vision and phi phenomenon. The dance of objects and their movements before the camera lens–somewhat similar to Oskar Fischinger’s abstractions–illustrate many visual sensations playfully executed by Vorkapich.
American Colour was funded by the Images Festival and the Deluxe Cinematic Vision Award. "Joshua Bonnetta’s American Colour (note the bi-national spelling), was shot on old rolls of 16mm Kodachrome during a pilgrimage from the stock’s birthplace in upstate New York to Kansas, where its final rolls were processed earlier this year. Like a postscript to Dean’s Kodak, American Colour explores Kodachrome’s historic use and singular hues, doing so with digital means in the wake of its obsolescence.
This film shows the city of Launceston in Tasmania. Includes scenes of recreation areas, industry, and architecture. Filmed on Kodachrome film.
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