In the year 2898 AD, around 6000 years after Kurukshetra war, Ashwatthama gears up for his final battle of redemption at the sign of hope in a dystopian world and Bhairava, a wisecracking and self-interested bounty hunter, tired of the perilous life becomes the hurdle in the process.
Set during the British Raj in 19th century India, 'The Stranglers of Bombay' follows an investigation into the thuggee cult, responsible for disappearances and murders. The story delves into the murderous cult's rituals, including strangulation and burning victims on funeral pyres. As the investigation progresses, the protagonist uncovers a web of betrayal, mass murder, and religious fanaticism, leading to a thrilling climax.
A Filipino-American gets an opportunity to audition in his hometown, but he must choose between staying true to himself and his culture or conforming to fit the standards of society.
Three year old Ada, daughter of the British captain McPherson, is captured by the Indian Tukh sect to represent the incarnation of Kali. Ever hidden in a vast underground system of caverns, she watches over human sacrifices, doubting her vocation. 15 years have passed when her father finally finds her and attempts a rescue, together with a snake-hunter who has fallen in love with her.
Hindu temples at Benares and Belur and the mythologies associated with them.
During social and political turmoil, what is the manifestation of divine intervention? How do the gods and goddesses act in the volatility of the contemporary world? If they walk on earth as men and women, how do they endure the chaos of modernity? Centering on the terrible and majestic incarnations of Goddess Kali and her celestial avatars, this film is a metaphysical contemplation in times of perpetual emergencies. Avikunthak’s remarkable sense of forms finds expression in the extraordinary combination of performance and essayistic cinematic practices.
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