The Image Book is a non-narrative film that delves into the history of cinema, art, and human existence. It combines various visual and audio elements such as archival footage, literary quotes, and references to create a poetic and thought-provoking exploration of the medium.
Here and Elsewhere is a political documentary directed by Jean-Luc Godard and Anne-Marie Miéville. It explores the portrayal of the Palestinian resistance and criticizes media representation. The film also touches upon various themes such as feminism, capitalism, and family relationships. It provides a critical commentary on the Israeli occupation and the black September movement. Through the use of montage and photographs, the film captures the essence of the revolution and the struggle for independence.
Jean-Luc Godard is synonymous with cinema. With the release of Breathless in 1960, he established himself overnight as a cinematic rebel and symbol for the era's progressive and anti-war youth. Sixty-two years and 140 films later, Godard is among the most renowned artists of all time, taught in every film school yet still shrouded in mystery. One of the founders of the French New Wave, political agitator, revolutionary misanthrope, film theorist and critic, the list of his descriptors goes on and on. Godard Cinema offers an opportunity for film lovers to look back at his career and the subjects and themes that obsessed him, while paying tribute to the ineffable essence of the most revered French director of all time.
Godard by Godard is an archival self-portrait of Jean-Luc Godard. It retraces the unique and unheard-of path, made up of sudden detours and dramatic returns, of a filmmaker who never looks back on his past, never makes the same film twice, and tirelessly pursues his research, in a truly inexhaustible diversity of inspiration. Through Godard’s words, his gaze and his work, the film tells the story of a life of cinema; that of a man who will always demand a lot of himself and his art, to the point of merging with it.
L'Idiot follows Rajat "Rinku" Chaddha, an awkward, daydreaming young man obsessed with French culture, as he attempts to win over Mona, a charismatic girl in his French class. With the help of a local thief, Rinku devises a plan to become Mona's hero, but things take an unexpected turn, forcing him to confront his fantasies and reality.
Ben Santhanaraj journeys to Sri Lanka to rekindle his relationship with Suzanne Hopper, an American NGO worker, after a long separation. But when Suzanne's boss demands she work during their vacation, their love is tested by a dilemma: desire versus duty. As Suzanne struggles with the responsibilities of her job, Ben tries everything to revive their intimacy, leading to candid conversations and chaotic twists as New Year’s Eve - and Ben’s departure - looms ahead.
Jean-Luc Godard and Anne-Marie Miéville talk about their films, while doing everyday tasks around their house.
Renato Berta, director of photography who won a César in 1988, this time appears in front of the camera under the direction of Paul Lacoste, who retraces the creative process of the Swiss filmmaker. Between archive images and anecdotes about his shoots with the greatest independent directors of his time (Jean-Luc Godard, Claude Chabrol and even Louis Malle...), Renato Berta confides how, from a script, he imagines the scenes of a film.
HE is an ACTOR, SHE is an ACTRESS... But this... Is not important to the story.
Rebels on the surface, retrogrades in essence. “The Ridiculists”, a duo composed of the eccentric and explosive, “The Ridiculer”, and his faithful squirer, “The Talker”, roam through the Brazilian capital breaking into homes, committing murders, as they create a legion of blind supporters along the way.
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