Twenty six Israeli women directors of narrative features are sharing their personal experiences of sitting in the director's chair. From Ellida Geyra - Israel's first female fiction filmmaker, to contemporary female directors, the film weaves together a conglomerate of women's voices, as they echo each other, clash, and come apart, then culminate in a fiery speech by Ronit Elkabetz. Their stories create a diverse and cinematic patchwork quilt of female directors, providing us with a multifaceted reflection of any woman who wishes for her story to be heard. This is a moving documentary, that will motivate you to get up and do something about the glass ceiling, both the real one, as well as the imagined.
Looking for Moshe Guez is a personal documentary by Avida Livny: “When I was a 10-year old boy a friend invited me to watch a must-see video that his older brother has rented: a horror film that included nude scenes and violent images of rape and of children being murdered – all in Hebrew. After many years I have found out that this film, which transformed my childhood, is considered by some to be the worst Israeli film ever made, that his director has disappeared, and so have the film reels – and that most likely I am the only person who still remembers it. I have decided that I have no choice but to look for Moshe Guez, the director, and find out his long lost film, The Angel was a Devil…”
A History of Israeli Cinema is a documentary that delves into the rich and diverse history of filmmaking in Israel. From its early beginnings to modern achievements, the film provides an in-depth look at the development of Israeli cinema and its impact on the industry.
A journey through a place of an eternal past; where the grandson of a Jewish partisan sets out to experience the dramatic events and places that shaped his grandfather's war years
Mamadrama combines film clips, cultural commentary, interviews with Hollywood and Israeli filmmakers and footage from Schwarz's earlier films in an exploration of the image of the Jewish mother in film beginning with early silent and Yiddish films up through contemporary movies.
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