Bolivia's Climbing Cholitas - a group of indigenous women scaling the Andes Mountains, some of the highest peaks in the world. Shot in Bolivia for Vogue Latin America and Vogue Mexico's 20th anniversary cover story.
Following her sister's disappearance, Jax and her niece Roki must stick together. Desperate to keep what's left of their family intact, Jax and Roki defy the law and hit the road on a journey to the Grand Nation Powwow in Oklahoma City.
Banchi Hanuse's documentary takes us to the golden plains of Blackfoot Territory where Logan Red Crow, a young Siksika woman, is determined to become a champion in the Indian Relay. Follow her through intense competitions and witness her bond with her horses. A story of courage, family, tradition, and the pursuit of victory.
Women in the Shadows (1992) is a documentary that delves into the untold stories of indigenous women in Canada. It sheds light on their struggles, resilience, and contributions to society. The film focuses on the rich history of indigenous cultures, the challenges faced by indigenous women, and their role in shaping Canadian history. Through interviews, archival footage, and expert analysis, this documentary provides a comprehensive look at the lives and experiences of indigenous women in Western Canada, particularly in Manitoba and the Hudson Bay region. It highlights their unique perspectives, the impact of colonization, and the ongoing fight for recognition and rights.
"Without a Whisper" is the untold story of how Indigenous women influenced the early suffragists in their fight for freedom and equality. Mohawk Clan Mother Louise Herne and Professor Sally Roesch Wagner shake the foundation of the established history of the women’s rights movement in the United States. They join forces on a journey to shed light on the hidden history of the influence of Haudenosaunee Women on the women’s rights movement, possibly changing this historical narrative forever.
In this evocative meditation, a disturbing link is made between the resource extraction industries’ exploitation of the land and violence inflicted on Indigenous women and girls. Or, as one young woman testifies, “Just as the land is being used, these women are being used.”
Part of the Daughters of the Country series, this film, set in the 1850s, unfolds against the backdrop of the Hudson's Bay Company's monopoly of the fur trade. In protest, some Métis engage in trade with the Americans. Madeleine, the Métis common-law wife of a Hudson's Bay Company clerk, is torn between loyalty to her husband and loyalty to her brother, a freetrader. Even more shattering, a change in company policy destroys Madeleine's happy and secure life, forcing her to re-evaluate her identity.
A young Ojibwa girl from 1770 marries a Scottish fur trader and leaves home for the shores of Georgian Bay. Although the union is beneficial for her tribe, it results in hardship and isolation for Ikwe. Values and customs clash until, finally, the events of a dream Ikwe once had unfold with tragic clarity.
The Letter is a moving film that tells the story of two Indigenous women who reconnect and rekindle their love in a small town. As they navigate their relationship, they also confront their identities and the challenges of returning to their roots. This beautifully crafted movie explores themes of love, self-discovery, and the power of reconnecting with one's past.
This Peabody Award-winning documentary from New Mexico PBS looks at the European arrival in the Americas from the perspective of the Pueblo Peoples.
Mary is catapulted into a horrific struggle to right old wrongs when she discovers the bones of the missing and murdered babies of an Indian residential school.
This short film follows Tonisha, Toneil and their family as they reclaim their Navajo history and reconnect with ancestors within the canyon walls.
Whilst embarking on a lesbian relationship with the new girl in town, a Métis woman’s life is rocked to the core when her estranged mother returns.
“Can I be nostalgic about something I’ve never experienced?” asks debut filmmaker Pranami Koch. She has in mind her grandmother, a person she never knew who belonged to the Koches, a people in India with their own culture and traditions. In her search for connection and identity, Pranami travels to the countryside and immerses herself in the Koch community.
Amá is a feature length documentary which tells an important and untold story: the abuses committed against Native American women by the United States Government during the 1960’s and 70’s: removed from their families and sent to boarding schools, forced relocation away from their traditional lands and involuntary sterilization. The result of nine years painstaking and sensitive work by filmmaker Lorna Tucker, the film features the testimony of many Native Americans, including three remarkable women who tell their stories - Jean Whitehorse, Yvonne Swan and Charon Aseytoyer - as well as a revealing and rare interview with Dr. Reimart Ravenholt whose population control ideas were the framework for some of the government policies directed at Native American women.
In the haunting landscape of rural Canada explores the terrifying idea: what if a severe mental health disorder took on a physical form—a creature lurking in the shadows? A Métis woman struggling to rehabilitate her mental health as she escapes a toxic, co-dependent relationship with her sister and retreats to her ancestral home. But her quest for peace is upended when a sinister presence begins to manifest, forcing her to confront intergenerational trauma and fight for her spirit—and the lives of those she loves.
It's the summer after high school graduation and Gabriela, a young undocumented Guatemalan woman, pursues her dream of swimming for an illustrious Country Club swim team. Despite her single-minded determination, Gabriela is continually confronted with her overprotective mother’s ears, limitations on her economic and legal status, and self-judgment. As she questions her self-worth against the structures of contemporary American Southern life, Gabriela embarks on a quest towards personal freedom and self-acceptance.
This documentary follows two Mohawk girls on their journey to become Mohawk women. Friends since childhood, Kaienkwinehtha and Kasennakohe are members of the traditional community of Akwesasne on the U.S./Canada border. Together, they undertake a four-year rite of passage for adolescents, called Oheró:kon, or "under the husk." The ceremony had been nearly extinct, a casualty of colonialism and intergenerational trauma; revived in the past decade by two traditional leaders, it has since flourished. Filmmaker Katsitsionni Fox has served as a mentor, or "auntie," to many youth going through the passage rites.
Every morning this happens.
This documentary follows Dawn Murphy, or “Princess Delta Dawn”, who rose to fame in the 1980s and early 1990s and became the first Indigenous woman wrestler and the first Canadian woman wrestler to compete in Japan.