Fat Albert and his friends are characters from a popular cartoon show who come to life to befriend a teenage boy named Doris. Together, they navigate the challenges of the real world, including high school, friendship, and love. However, their presence in the real world causes chaos and misunderstandings. As they try to help Doris woo a girl he likes, they must also find a way to return to their cartoon world.
Madonna: Truth or Dare is a documentary film that follows the life of pop star Madonna during her 1990 Blond Ambition World Tour. The film captures both the backstage drama and the intimate moments of Madonna's life, offering viewers a behind-the-scenes look at the superstar. Through interviews, rehearsals, and performances, the film explores Madonna's ambition, sexuality, and artistic vision.
During World War II, a group of Russian tank crew members struggle to survive the realities of war, including violence, death, and heroism.
A mysterious stranger seeking peace and solitude checks into a remote hotel. However, he is reluctantly pulled into the lives of the guests. As he delves deeper, he realizes that the hotel is not as calm as it seems. A chance encounter with the maid sets off a series of events that push the Stranger to the brink of insanity and puts everyone's lives at risk.
This is an in depth look at the world's greatest meal.
Craving that girl she was never able to replace and seeking inspiration in her presence, or absence, or rather fantasy, a troubled writer embarks on a stormy journey of love, passion and potentially perdition.
Ayaka, a beauty college student who loves makeup, is sexually assaulted by a self-proclaimed movie director, Kunijima, who she met at a club one day. Ayaka is mentally ill because she has to cry and fall asleep, but she gradually regains her ego by meeting Satomi, a graduate student, and Yumi, an apparel clerk. However, when Ayaka learns that Kunijima's next target is Yumi, she suddenly kills Kunijima, and while processing the corpse, she realizes that human blood is the ideal cosmetic ingredient.
Even Pricks is sort of an homage to the repeating loss and gain of an erection—metaphorical or not—as mediated through all the stimuli we humans sort through and judge and despair of throughout the course of any quotidian day. The erection here is the (now nearly as familiar) thumbs up/thumbs down—sliding in and out of frame as a pale, disembodied man’s arm. It pokes up into a floating eye and nostril, and down into a human navel. It’s doused with fluids and submerged. The thumb inflates and deflates, over various backdrops of crumbling structures and hazy rooms. At one point, a very real-looking chimp delivers a string of spoken words in a crisp English accent. His assertive thumbs-up makes an appearance as well. The artist is interested in the potential to express emotion through cold and flawless digital means and plays with the convention of aggressive advertising slogans and film trailers, urging the viewer to “this summer destroy their lives.
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