A young woman named Ruby drops out of medical school to focus on supporting her husband, Derek, who is serving an eight-year prison sentence. Ruby's life revolves around her visits to the prison, working a full-time job, and trying to maintain her relationship with Derek. As time goes on, Ruby is faced with challenges that test her loyalty and force her to confront her own desires and dreams.
When her estranged, drifter husband Matt returns after spending seven years in prison to ask her to let him be a part of her life again, Rachel Kirby's life is thrown into turmoil, which also affects her teenage daughter and mother.
A devoted young woman becomes ensnared in a web of sexuality and betrayal in Jean-Pascal Hattu’s consistently unpredictable and finely wrought character study. A vividly realistic psychosexual drama, the film’s sharp emotional honesty heralds a distinct new voice from a promising young director. Hattu soon reveals that Maite’s husband Vincent is in prison for an unspecified crime, and that she has promised to wait for him and attend to his laundry (if not his conjugal needs) during his incarceration. On one of her weekly visits, Maite meets Jean, an oddly inquisitive and boldly flirtatious prison warden, and soon the two commence a joyless affair. Seemingly smitten with Maite, Jean, in a gesture of kindness to his lover, eases up on her husband behind bars; the two become pals and even engage in some homoerotic shower talk. —Robert O’Shaughnessy
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