In His New Job, the Little Tramp gets a job at a movie studio and causes chaos on set. He accidentally kisses a woman's hand, hits himself on the head with a mallet, and gets into a fight with the wrong person. Despite his mishaps, he eventually becomes the star of the film.
Mabel has two suitors - an oily con man, whom she mocks in a very funny scene where she is shown twiddling a fake moustache and making her feelings very clearly felt. Even in this early comedy her natural fun comes through. The one she really loves is clumsy yokel Ford Sterling, who is determined to buy an oil well that the con man has for sale. The conman gets a local fellow to pour oil over the property. Ford falls for it and buys it - Mabel and he are to be married. Then the fellow confesses that it was just a scam - there was no oil.
TwentyFourSeven is a comedy-drama film that follows a group of working-class friends in Wales. It explores their lives, relationships, and the challenges they face. The story revolves around a community center run by a man named Darcy, who tries to keep the youth engaged and away from trouble. The film delves into themes of friendship, dreams, and the struggles of the working class.
In 'Cat Fishin'', Jerry the Mouse and Spike the Bulldog both want to catch the biggest fish in a fishing contest. They use various tactics to outsmart and outwit each other, leading to hilarious and chaotic situations.
In 'The Finishing Touch,' Laurel and Hardy play inept builders who cause chaos while trying to construct a house. They are tasked with placing the final touches on the house before the owner returns, leading to hilarious mishaps and slapstick humor. The film showcases Laurel and Hardy's iconic physical comedy and the challenges they face during their construction project.
Ambrose and his wife are going to take charge of a seabeach hotel.
Ted is riding for Pa Martin against Cooper in the big race. When Cooper has his men capture Ted, Peggy overhears them and sets out to free Ted in time for the race.
In the late 19th and early 20th centuries, 'counter jumper' was the term used in both Britain and the U.S.A. to describe the lowest dogsbody clerk in a general store or emporium. Here, Semon is employed in that capacity in an Old West general store that caters for desperate characters. As usual for Semon, most of the gag set-ups are deeply contrived and implausible. We get here not one but two separate sequences in which randomly splattered stains just happen to resemble a human face.
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