Third Person follows the interconnected stories of three couples in different cities, exploring themes of love, betrayal, and redemption. Michael, a writer, is involved in a passionate affair with a young artist while dealing with the fallout of his failed marriage. Julia, a troubled artist, struggles with her traumatic past and finds solace in a new relationship. Scott, a con artist, gets entangled in a dangerous scam that threatens his relationship with his estranged wife. As the stories unfold, secrets are revealed and choices must be made.
The Dante Quartet is a mesmerizing exploration of the afterlife, portrayed through surreal hand-painted animation. The film delves into the realms of heaven, hell, and purgatory, taking viewers on a journey through abstract landscapes and captivating imagery. It is a unique and avant-garde piece that unfolds without dialogue, relying solely on visuals and a haunting musical score. The Dante Quartet invites audiences to contemplate the mysteries of existence and the cyclical nature of life and death.
In a castle, a demonic ritual takes place, involving the summoning of a spirit and a human sacrifice. The sacrifice is burned alive in a cauldron, resulting in paranormal phenomena. The film showcases trick photography and hand-painted effects, with the spirit leaving the body and fireballs appearing.
A young woman named Joan of Arc receives messages from God, leading her to lead the French army against the English during the 100 Years War. She is captured, put on trial, and ultimately burned at the stake. The film depicts her religious conviction and martyrdom.
In a world on the brink of destruction, a lone gunslinger embarks on a quest to find the Dark Tower, a legendary structure said to hold the universe together. Along the way, he encounters dangerous enemies and unexpected allies, all while facing his own inner demons. Will he be able to unlock the secrets of the Dark Tower and save his world from annihilation?
The Lumière Brothers' First Films is a documentary that explores the early cinematic works of the Lumière brothers, who were among the first filmmakers in history. The film takes viewers on a journey through the Lumières' groundbreaking films, showcasing their unique style and the impact they had on the development of cinema. From scenes of everyday life to depictions of historical events, The Lumière Brothers' First Films offers a fascinating glimpse into the birth of cinema.
In this silent film, a trick-photography farce, Satan offers a man a deal with the devil which leads to a series of bizarre and humorous situations in the underworld.
In the animated short film 'Rage Net,' a furious net creature breaks free from its digital confines and embarks on a destructive rampage throughout the virtual world. As chaos ensues, the net creature's anger grows stronger, leaving a trail of devastation in its wake. With stunning hand-painted visuals, this independent short showcases the power and intensity of unleashed rage.
“This is a hand-painted film whose emotionally referential shapes and colors are interwoven with words (in English) from the first Hymn to the Night by the late 18th century mystic poet Friedrich Philipp von Hardenberg, whose pen name was Novalis. The pieces of text which I've used are as follows: ‘the universally gladdening light … As inmost soul … it is breathed by stars … by stone … by suckling plant … multiform beast … and by (you). I turn aside to Holy Night … I seek to blend with ashes. Night opens in us … infinite eyes … blessed love.’” -SB
This film is entirely hand-painted and is composed of such an evolution of variably colored shapes that their inter-action with each other should constitute a purely visual "self-evident" (as prompted by the title). Each frame is printed twice, so that its effective speed (at 24fps) is 12 frames per second. A variety of organic and crystalline painted shapes (painted on clear leader, thus as if brilliantly back-lit in a blazing space of light) are interspersed with very dark (black leader) passages as if etched with scratches of light and stained radiances. There are also some straight, multi-colored, bars which move, diagonally from one side of the film frame to the other. All these "themes" finally give way to clear thick gelatinous effects which resolve themselves in a long passage of hieroglyphic white shapes in a black field, ending on a brief spate of variable coloration.
This hand-painted and elaborately step-printed work begins with a flourish of reds and yellows and purples in palpable fruit-like shapes interspersed by darkness, then becomes lit lightning-like by sharp multiply-colored twigs-of shape, all resolving into shapes of decay. Preserved by the Academy Film Archive in 2013.
A profound human-animal and human-nature relationship is represented by a painted world filled with a camel’s emotion and tears
A musician-magician of noble heritage wins the hearts of women. When his darling leaves him for a rich man, he does everything in his power to win her back.
Multiple thrusts and then retractions of oranges, reds, blues, and the flickering, almost black, textural dissolves suggesting an amalgam approaching script. Preserved by the Academy Film Archive in 2013.
Dark, fast-paced symmetry in mixed weave of tones moving from oranges & yellows to blue-greens, then retreating (dissolves of zooming away) to both rounded and soft-edged shapes shot with black. Preserved by the Academy Film Archive in 2013.
In the animated musical short film Billy Nayer (1992), surrealism meets hand-painted visuals as the story unfolds in a bar through songs.
An experimental film: dozens of pictorial techniques applied directly on celluloid; a work of impressive aesthetics that recovers certain ideas of abstract expressionism: endless chromaticism, constant mutations, the music of the cosmos, mysticism, synesthesia… and an enigmatic title that, although it imitates the phonetics of the Basque language, means nothing.
Peripheral envisionment of daily life as the mind has it - i.e., a terrifying ecstasy of (hand-painted) synapting nerve ends back-firing from thought's grip of life.
Sistiaga painted directly on 70mm film a circular (planetary?) form, around which dance shifting colours in a psychedelic acceleration matched by the soundtrack’s deep-space roar and howl. - Cinema Scope
A non-narrative hand-painted visual poem about diaspora, homeland, and the tragic mass-deportations of the Kalmyk people during WWII.