A lonely old widower arrives in town and seeks out a pleasant boarding place. The house he selects may be pleasant and homelike, but most of all it is owned by a widow, and managed by her daughter. The widow and the widower are impressed with each other at first sight and a romance is imminent. However, the widower realizes his hair is both white and scant and feels that unless he looks a little younger, his chances with the widow are slim. He writes to a hair tonic manufacturer for aid. While trying to keep the letter hidden from the widow, she becomes suspicious and imagines it is from another woman, so she turns about to make him jealous. Eventually a unique trick of fate smooths out all their misunderstandings.
Biedermann und die Brandstifter (1967) is a dialogue-driven drama based on a play. The movie follows a couple who welcomes a homeless person, not knowing that he is an arsonist. As the stranger continues to cause havoc in their lives, the couple must confront their own complicity in the unfolding tragedy. With explosive moments and intense character interactions, the film explores themes of deception, danger, and the consequences of blind trust.
Hau drauf, Kleiner is a satire comedy set in the backdrop of the Bundeswehr. The film follows a bumbling detective who tries to raise money by selling a miraculous hair restorer. Chaos ensues as he crosses paths with a loud-mouthed non-commissioned officer and gets involved in hilarious situations.
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