In the animated TV show Cyberchase, three kids and their talking bird friend, Digit, travel to the virtual world of cyberspace to thwart the evil plans of the Hacker, a megalomaniac bent on world domination. With the help of their mathematical skills, problem-solving abilities, and innovative gadgets, the kids navigate through various challenges and puzzles to keep cyberspace safe.
Throb is an American television sitcom broadcast in syndication from 1986 to 1988, created by Fredi Towbin. It revolved around thirty-something divorcee Sandy Beatty who gets a job at a small New Wave record label, Throb. Beatty's boss is Zach Armstrong, who looks like Michael J. Fox but dresses like Don Johnson. Beatty also has a 12-year old son named Jeremy. Beatty's best friend was Meredith, a single teacher who lived in her building, and her co-workers included hip business manager Phil Gaines, and Prudence Anne Bartlett, nicknamed Blue. During the second season, Sandy moved from her original apartment to the recently vacated penthouse in her building. She took in her co-worker, Blue, to help with rent, but the differences between straitlaced Sandy and the very free-spirited Blue became more pronounced as they both lived and worked together. Notably, it was the first time much of the American TV audience saw Jane Leeves, who later gained fame as Daphne Moon on Frasier. Also notable is the casting of a young Paul Walker, who played Jeremy Beatty for the first season. Walker became a leading man in Hollywood some 15 years later, particularly after his breakthrough role in The Fast and the Furious.
Humans fight mutants in a post-holocaust world.
In 'Holy Goalie,' a soccer goalie named Jesus is recruited by a priest to play for a struggling monastery team. With his unconventional tactics and hilarious antics, Jesus brings new life to the team and the monastery. The film is filled with comedy, sports action, and a touch of religion.
A reclusive scientific prodigy and three college friends find themselves in the middle of a toxic storm, when an unscrupulous business deal rains terror down on an entire county.
A newspaper reporter comes across a man and woman arguing on the beach, and after obligingly driving the woman around when she seeks him out, he takes her back to discover that the man has been murdered. The woman takes off, but the reporter, after many twists and turns, runs into her on a train. They start a relationship, but he had better pay closer attention to how he got to know her in the first place.
A young man briefly meets another young man in a party and loses sight of him after a experiencing a quick crush. The search begins, with both love and exorcism. With the help of a girlfriend who now lives far away but keeps him company in her own way, he tries to find him in parties and similar situations to that of their first encounter. But none of this is actually what it seems. Disco Limbo plants its flag on common fiction grounds and creates its own language, made of mountain settings, dubbed voices, animated topographies, tutorials, video games, deserts, karaoke, and endless parties. The result is a journey in which time and space aren’t necessary companions, and where there’s so much distance between words and pictures as it exists between the boy who is searching and the one who –we can conclude– is escaping.
Bee Sting takes in love and complications as a father and son fall for the same woman on the schoolyard.
In a posh, swanky restaurant, a neurotic man's meal is interrupted by an unexpected little guest.
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