Hannah and Her Sisters follows the intertwined lives of three sisters, Hannah, Lee, and Holly, as they navigate through love affairs, family relationships, career changes, and personal insecurities. Set in New York City, the film explores themes of sibling rivalry, midlife crisis, and the fear of dying. With witty dialogue and compelling characters, this comedy-drama offers a nuanced exploration of the complexities of family dynamics.
This retrospective exhibition gives brilliant insight into the artist’s work of the last 4 decades. Credit for this highly sensitive selection of Morris’ work goes to Rosalind Krauss, who curated the exhibition. We invited artist and curator to come back to the Guggenheim Museum for a second look at the exhibition. The filmed walk-through gives a vivid sense of the artist’s progress and documents the views of the artist and Rosalind Krauss, one of the most significant critics of our time.
A bus called Sueños (Dreams) links three modern-day tales set in exotic Ecuador - the equator-straddling country that calls itself "The Middle of the World." Each of these stories carries a woman's name, and each features a mysterious, alluring female outsider who bewitches men. In the first tale, a blonde woman with an unclear past arrives in a remote, male-deprived Andean town and offers piano lessons, only to become the focus of wild rumors and innuendo. In the second, a married college professor who is haunted by nightmares becomes obsessed with a beguiling woman who seems to be sending him an ominous message. In the final story, a couple vacationing at a jungle resort refuse to believe in the ancient myths of Ecuador, but are forced to confront the legendary Guasangó.
Meier guides the viewer on a retrospective of his white buildings, from private houses of the 1960s to the Frankfurt and Atlanta Museums of the 1980s--all variations on his trademark spatial and planar treatment. His influences from Corbusier, Wright, Mies, and Baroque Germany are shown. Clients and colleagues offer opinions.
"Frank Gehry: An Architecture of Joy" illustrates the unique intertwining of art and architecture throughout Gehry's spectacularly eclectic career. In this portrait, Gehry explores his work of the 1990's including The Guggenheim Museum in Bilbao and the Frederick R. Weisman Museum in Minneapolis, as well as his first European commission, the EMR Communication and Technology Center in Bad Oeynhausen, Germany. Seeing himself as an artist first, Gehry discusses his early relationships in the art world and how sculpture, painting and small scale work has influenced his architectural style. Like Rauschenberg, Johns, and Warhol, he has introduced "bad taste" into his concepts, while keeping himself outside of the contemporary dialogue between modernism and post-modernism. He has translated the vocabulary of contemporary art into an architectural language of his own, disobeying the rules of his profession and questioning its historic conventions.
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