Homebound is a psychological horror movie that takes place in the English countryside. It follows a family dealing with a creepy and evil child, as they uncover a conspiracy and face suspenseful and mysterious events.
In 1880s Kansas, a sharpshooter named Clay is forced to leave his gunslinger days behind when his daughter goes missing. As Clay embarks on a dangerous journey to find her, he uncovers a web of deceit and must confront his own past.
In 1880s Australia, a notorious outlaw offers a proposition to a lawman: if he can find and kill his older brother within nine days, his younger brother will be spared from execution. As they embark on the chase, they encounter dangerous gangs, treacherous hideouts, and unexpected surprises. The lawman must navigate the dark underbelly of the Australian outback and confront his own moral compass.
The Southerner follows the journey of a family as they try to make a living in the countryside, encountering various challenges such as poverty, malnutrition, and natural disasters. Along the way, they must also navigate relationships and cope with the death of a loved one. Set against the backdrop of cotton farming, the film highlights the harsh realities faced by farmers and migrant workers.
An undercover policewoman tracks seven escaped convicts to the deserted island where they've set up a camp.
Margaret Reed, a wealthy and proud woman of Chicago unwillingly finds herself a member of the Donner party - a group of pioneers making their way to California by covered wagon in the summer of 1846. One by one the odds begin to stack against Margaret and her family as precious days slip away and an early winter storm closes the passes through the Sierra Nevada mountain range. Trapped without adequate food and supplies, Margaret struggles to keep her family alive.
Minnesota 1880: The trust of three Norwegian sisters is tested when a stranger appears on their prairie. When the eldest invites him in to heal her dying sister, she doesn’t realize that a supernatural force is crossing her threshold.
In the heart of the American west, a miner toils day after day at his rocker box while his young daughter keeps his camp. His daughter persuades him to return to civilization, where they may enjoy the fruits of their labor. Both are happy in the anticipation of what seems a bright future. While she's away, a desert wanderer appears at the camp, and at the sight of the old man weighing his gold is seized with cupidity. He himself had toiled long in the wilds, but with no success, so he demands that the old man divide his gains with him. This, of course, the miner decries, and the wanderer uses force to obtain the old man's gold. The wanderer collapses in the desert, only to be rescued by a certain young woman: the miner's daughter.
Amidst the dead uninhabitable world of the future, the shelter of a forgotten country cottage affords a lone wanderer opportunity to acknowledge the lingering strands of her own humanity.
Mary Pickford once said, "I never had sympathy for those who wanted to produce 'art' pictures and ignore the public. These weird ideas that appeal only to a minority--they're not for me." (Motion Picture Herald, February 17, 1940.) With that said, it's probable that Mary wouldn't exactly approve of The Thousand Steps, but this short silent horror film utilizes some of the very same locations seen in Pickford's earliest films and contains many little nods to her work. Stylistically influenced by the films of D.W. Griffith and European silent horror like Nosferatu and Destiny, The Thousand Steps makes use of period cinematography, editing, and effects and incorporates the dust and scratches need to create the feeling of a long-lost silent film of yesteryear.
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