El Greco, a talented painter, faces adversity and imprisonment as he awaits execution in the Republic of Venice. He rebels against the ignorance and darkness of the Middle Ages, finding solace in his art and the light it brings.
I, Don Giovanni is a movie that tells the story of the famous composer Mozart, focusing on his relationships and artistic collaboration. Set in the 18th century, the film explores themes of jealousy, artistic creation, and the challenges faced by Mozart in the Holy Roman Empire. It also delves into the world of opera performances and the struggles of a genius composer. The plot follows Mozart's banishment and exile, his encounters with the Roman Inquisition, and his involvement with Freemasonry. With beautiful settings in Vienna, Austria, and Venice, Italy, the movie showcases the debauchery and libertine lifestyle of the time. This historical drama is a morality tale of damnation, with ghostly visions and a haunting conclusion. Alongside Mozart, the movie also explores the character of Casanova, an opera singer, and the themes of womanizing and jealousy.
First Case, Second Case is a gripping documentary-drama that explores the political upheaval in Iran during the 1980s. The story follows a group of students who find themselves caught in the midst of the revolution, as they grapple with loyalty, betrayal, and the consequences of their actions. Through their experiences, the film delves into themes of power, politics, and the moral ambiguity of revolution.
As a painter in the court of King Carlos IV, Goya has attained wealth and reputation. He believes in King and Church, yet he is also a Spaniard who dearly loves his people. This contradiction presents him with a dilemma.
Set in 16th-century Spain, Flame in the Wind depicts the harrowing story of a Christian theologian accused of heresy during the Spanish Inquisition. Imprisoned and tortured, he faces the ultimate test of faith and the power of belief in the face of religious persecution.
Documentary of the U.S. Senator Joseph McCarthy, who rose to prominence in the early 1950s by trumpeting allegations of a vast conspiracy by alleged Communist agents whom he claimed had infiltrated the U.S. government, media, film industry, labor unions and other organizations.
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