In the aftermath of the G8 Summit in Genova, Italy, a group of Italian police brutally beat, torture, and rape protesters, resulting in a massive cover-up by the Carabinieri. The film follows the story of a group of prisoners who were brutally abused by the police and the subsequent court case that tries to bring justice to those responsible.
The film recounts Carlo Giuliani’s day of July 20 and, parallel to it, the July 20 of the march of the ‘disobedients’, or the ‘white overalls’, among whose ranks Carlo died. An individual’s story is told in all its absolute concreteness, the friends he meets, the snack bar he goes to for a bite, the roll of scotch tape he picks up on the street; whereas a multitude’s story is told in all its epic tragedy, the night under the rain, the colossal preparation against the march, the advance behind shields, the attack of which the multitude was victim, the defense that gets organized.
It’s been twenty years since the G8 Summit held in Genoa in 2001 was marred by violence. There are two generations who went through that experience, in one way or another, and twenty years later they cannot consider the case closed. The dream behind the protests at Genoa 2001 is still alive: the issues then addressed are today’s issues, only more urgent. And the violence of Genoa 2001 is not over, since although that violence has been recounted many times, from different sides, and celebrated or condemned, it has never been understood or resolved.
The video is composed of 13 episodes that tell some moments of the days of Genoa. From the climate of the Red Zone to the police charges on the procession of 21 July, to the situation around the body of Carlo Giuliani in Piazza Alimonda. The shooting is a selection of images shot by Giacomo Verde and other independent video makers connected to different groups. The video’s intention is to tell what the media fail to show because they are trapped in the rules of communication-show and scoop. So many episodes are commented by texts of "militant poetry" in order to provide reflective ideas that go beyond the contingency of facts, and others use images "effected" (rallenty, velocity etc.) and an original sound commentary in order to go beyond the documentary data still present. A video that wants to be an instrument of emotional and political reflection, for the various components of the anti-g8 movement, on the different issues raised by the days of Genoa.
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