Addie, a chiropractor from New York, receives a mistaken text message from Nana, an older woman in Vermont. They become friends and Addie accepts Nana's invitation to spend Christmas with her family. Addie's visit introduces her to Nana's son James and they start seeing each other in a new light, potentially leading to love and a new family.
David Olusoga tells the story of those who lived in one house, from the time it was built until now. Searching through city archives, scouring records, and tracking down their living descendants, presenter David Olusoga tells the untold stories of the people who once lived in the house and gains a unique insight into the making of modern Britain.
The film is based on Christian Kampmann's novels: "Certain Considerations", "Solid Relationships", "Clean Lines" and "Other Ways" (1973-75). The Gregersen family is a picture of inner and outer Denmark from the mid 50's to the 70's. The story begins in 1954 in the well-behaved, but not just successful, Gregersen family from the best part of the whiskey belt on the right side of Strandvejen.
The history of four generations of a family in Alsace between 1870 and 1953. Over this time, the family and the villagers live through three wars between France and Germany and their province changes its affiliation between these countries four times. The governors from both sides do not always respect the culture and the feelings of Alsatians.
A poetic exploration of the multi-generational affects of Canada's Indian Residential School system, based on the personal trials of Aboriginal playwright Yvette Nolan.
Flowers examines the lives of six women across three generations, from the Show period all the way through to the present day.
Judy Blume Forever is a movie that explores the influence of Judy Blume and her books on popular culture and the readers across different generations. It delves into the impact she has made through her honest and open discussions about puberty and sex, which has at times sparked controversies.
Via the New York Times: "The solemn, intent faces of the Japanese schoolboys playing video games in Jun Ichikawa's "No Life King" bespeak a new type of modern horror. Addicted to their favorite new game (from which the film takes its title), these children have become seriously estranged from the real world. The film's constant emphasis is on the ways in which this has been allowed to happen, and on how emblematic it is of larger attitudes in a technological society. When a young boy trying to converse with his mother must compete with a home computer for her attention, it's not hard to see why the boy has retreated into his own computer-dominated world."
We all carry hell with us. The filmmaker’s hell exists on a canvas, which he studied carefully in childhood. The mystical picture has many names: Circus, Hell, Game at the Arena. Decades later he finds the painting again. The film unravels as loose ponderings about the plight of being an artist and touches upon the filmmaker’s personal demons. Can he see the painting in a new light?
A homeless boy relives the day that will inform his future.
The 100-year history of a troubled American family.
As the Labour Day Holiday is approaching, Ling Xiuzhen and her thirty-year old grandson decide to visit their long time no-seen hometown, Zhujiajiao, a place known for its riverfood. There is where she founded a traditional style Chinese restaurant time ago, which was transferred to her son after she retired. It's been a while since Ling Xiuzhen hasn't visited Zhujiajiao. In the recent years she has been living in Shanghai with her busy grandson, holding a monotonous life. But there are times where she leaves her routine for a second to wonder about the future, especially regarding whether her grandson would be willing or not to take care of the restaurant, following the family tradition. Ling Xiuzhen and her grandson. Two cities afar. Two generations yearning to build a bridge between them.
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