The Lovely Month of May is a documentary essay film that takes an intimate look at the lives of various French-speaking individuals during the month of May in 1963. Through a series of long-takes and nonlinear storytelling, the film delves into the personal journeys and experiences of a young man, a young woman, and a young soldier. It touches on themes of identity, class differences, social criticism, and the impact of politics and literature on French society.
At once gritty and whimsical, The Unidentified follow Estlin, a passionate young journalist scraping by in New York City. As his frustration with his entry-level job at a local newspaper peaks, his disgruntled best friend, Brooke, leaves Brooklyn for Ohio. Set adrift, Estlin falls for Sophie, an elusive artist with an optimistic view on life. But as their romance blossoms, his high ideals and dogged pursuit of truth come into conflict with her tightly guarded secrets. The film is an exploration of idealism and apathy in today's youth culture and the vestiges of the social consciousness of the 1960s. In a climactic scene shot at a real anti-war protest in Washington D.C., Estlin must come to terms with what has been lost, what still remains and where he must go from here.
Featuring candid discussion about hopes and dreams, love and heartbreak, family and friends, this engrossing documentary makes an inspired connection between classic literature and contemporary teen life in modern-day Marseille as one high school class studies the 17th-century novel La princesse de Clèves.
The story of Cross Words is based on a news item, which quickly becomes a pretext for a sensitive, sensual portrait of a generation represented by two main characters, Pierre and Mila, and a group of thirty-somethings. They’re journalists, teachers, carpenters and artists, between Paris, Marseille and Brussels. Valero portrays fragments of everyday life, interweaving them with impressionistic urban and bucolic slivers.
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