Four best friends fart through their last years of college, hanging out, drinking and eating lots of sandwiches. Using break-ups and re-occurring scholastic failures to impose a quarter-life crisis, they take turns postponing responsibility, avoiding accountability, and looking for someone or something to substantiate their lives, all the while hedging their bets and mastering the art of treading water and getting away with it.
Elisabeth Subrin’s masterful film is a shot-by-shot reenactment of an unreleased 1967 documentary portrait of SAIC student Shulamith Firestone, who, a few years later, would become a central figure in the rise of radical feminism. Through its meticulous staging, the film expresses in Subrin’s words, “the residues of the past,” and the resonance of issues around gender and class today. (Gene Siskel Film Center)
Generation Now follows the lives of a group of young individuals who navigate through troubled youth, drug use, and disenfranchisement in San Francisco. The story explores themes of friendship, first love, and the challenges faced by the generation of today.
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