After receiving a letter about his father's death, a man embarks on a search to find his missing father. Along the way, he encounters various obstacles and strange characters, including a threatening man with a cutter, a dog who becomes his companion, and a criminal pretending to be someone's sister. As he delves deeper into the search, he uncovers secrets and lies that complicate the situation even more.
The middle-aged titular heroine (Masiero) of this bare-bones, Dardenne-esque debut has certainly fallen on hard times: Living between her car and a storage shed, working a part-time job as a hotel chambermaid, and trying against all odds to obtain public housing, Louise scrapes by on a day-to-day subsistence that’s only a few Euros away from skid row.
"Is this trip really necessary?" asks a road sign. "Sure, it's necessary," replies Woody Woodpecker. "I'm a necessary evil." Patriotic gestures are evidently not Woody's strong suit. When he goes to the gas station for a refill, he doesn't even know what a ration book is. The attendant thinks Woody is a wise guy and takes a large mallet and knocks him and his car into a junkyard several miles away. What luck! The old cars still have a bit of gas in them. Woody takes a rubber hose and siphons the gasoline from some of them. Unluckily, one of the cars he picks is brand new. And it's a cop car. Woody is soon at odds with a bulldog police officer.
Turning Point is a movie that revolves around the lives of a group of friends who navigate through the ups and downs of school life. With a comedic touch, the movie explores the challenges and experiences faced by these friends as they strive to find their own paths and pursue their dreams.
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