Set in post-war London, 'A Kid for Two Farthings' follows the adventures of a young boy who believes in the power of a unicorn's horn to make wishes come true. With the help of a cobbler, a police officer, and a body-builder, he sets out to bring prosperity to his family and community.
Tunisian-Jewish businessman Alain Berrebi (Michel Boujenah) courts Ashkenazi princess Arlette Stern (Elsa Zylberstein). Her father David (Maurice Chevit) learns of the death of a rural Auvergne peasant who once hid David and his cousin Nathan (Felix Fibich) from the Nazis. Nathan is now a NYC diamond dealer on West 47th Street. David, Nathan, Arlette, and Berrebi head for the funeral in Auvergne. There they encounter the deceased peasant's son, Jean Bourdalou (Gerard Depardieu), who operates the family's restaurants in Paris. Arlette does a romantic take on Bourdalou, which sends the distraught Berrebi off to cry on the shoulder of his mother Gaby (Gina Lollobrigida). Back in Paris, Bourdalou and Berrebi make plans to open a trendy fashion restaurant in Manhattan.
In New York City, a young woman named Harriet Boyd dreams of becoming a successful fashion designer. She meets and falls in love with a businessman named Teddy Sherman, but their relationship becomes strained when Harriet also becomes his rival in the fashion industry. As their love triangle unfolds, Harriet must navigate double-dealing, betrayal, and the risks associated with pursuing her ambitions.
Without one eccentric first-generation Jewish immigrant from Transylvania, the New York City Marathon simply wouldn't exist. Ehrlich's fun, loving, and inspirational tribute to the late Fred Lebow shows how one man's imagination, determination, and love for running created one of the world's most popular sporting events.
The single channel video STICK IT combines television footage of women's gymnastics with recordings of the artist attempting the same routines. Merging himself and the young gymnasts of the 1996 Olympics in Atlanta into one composite character, he enters an ambivalent position between envy, identification, rejection and critique of these highly controlled bodies and their restricted performative roles. The video follows the preparation and execution of a floor routine, suspending the marginal moment right before the action, encapsulating ambition, the pressure to succeed and the looming possibility of failure.
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