Unfinished Business is a comedy-drama movie about a businessman named Dan Trunkman who travels to Europe with his team in order to close an important deal. Along the way, they face various challenges and obstacles that test their friendship and business skills. The movie explores themes of forced retirement, father-daughter relationships, and the ups and downs of the business world.
In the aftermath of the G8 Summit in Genova, Italy, a group of Italian police brutally beat, torture, and rape protesters, resulting in a massive cover-up by the Carabinieri. The film follows the story of a group of prisoners who were brutally abused by the police and the subsequent court case that tries to bring justice to those responsible.
A civil servant attends a G8 summit in Reykjavik, Iceland, where he meets a young woman in a café. Despite their age difference and the political tensions surrounding them, a romance begins to blossom.
When heads of state gather at the G8 summit in Japan, Guilala -- the intergalactic monster that had been banished from the earth in The X from Outer Space -- returns to ravage the Japanese countryside and threaten the world leaders. Military strikes prove futile against the beast, but a reporter learns that one rural community possesses a strange ritual that might influence the creature. Minoru Kawasaki directs this campy satire.
8th Wonderland is a movie about a group of people who create an online nation called '8th Wonderland' to fight against injustice and corruption in the real world. Their actions have global consequences and lead to a series of thrilling events.
The actions of the Italian police against peaceful demonstrators durign G8 in Genua in 2001, one of whom died and a hundred of whom sustained serious injuries, was described by Amnesty International as one of the most severe breaches of democratic rights in a European country since the SecondWorld War. Under the pretext of wanting to arrest members of the anarchistic Black Bloc, police stormed into the Diaz school complex which at the time housed journalists covering the event, and spent over two hours raining blows on defenceless women and men.
The film recounts Carlo Giuliani’s day of July 20 and, parallel to it, the July 20 of the march of the ‘disobedients’, or the ‘white overalls’, among whose ranks Carlo died. An individual’s story is told in all its absolute concreteness, the friends he meets, the snack bar he goes to for a bite, the roll of scotch tape he picks up on the street; whereas a multitude’s story is told in all its epic tragedy, the night under the rain, the colossal preparation against the march, the advance behind shields, the attack of which the multitude was victim, the defense that gets organized.
It’s been twenty years since the G8 Summit held in Genoa in 2001 was marred by violence. There are two generations who went through that experience, in one way or another, and twenty years later they cannot consider the case closed. The dream behind the protests at Genoa 2001 is still alive: the issues then addressed are today’s issues, only more urgent. And the violence of Genoa 2001 is not over, since although that violence has been recounted many times, from different sides, and celebrated or condemned, it has never been understood or resolved.
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