Diabolique (1955) is a psychological thriller set in a boarding school, where the abusive headmaster's wife and his mistress conspire to murder him. However, their plan goes awry when the body mysteriously disappears, leading to a series of unexpected twists and turns.
After witnessing a serial killer, a woman with face recognition disorder must identify the killer in a supportive and dangerous environment.
A mad scientist discovers a creature that lives in the spinal columns of human beings and feeds on fear. He believes that this creature, called The Tingler, can be destroyed by fear, so he conducts experiments including LSD-induced nightmares, sensory deprivation, and a scream in every film screening.
When a young teacher arrives in a Canadian frontier town in 1910, she faces challenges and conflicts with her students, fellow teachers, and the community. She must navigate through a sister-sister conflict, a framing story involving a diary, and encounters with a shipping magnate. Along the way, she discovers love, friendship, and the importance of family.
A classic British thriller set in a sinister old house, based on a story by Edgar Wallace.
Stacy, a rebellious teenager, leaves home for the freedom and adventure of life on the road away from her parents. Afraid and alone, she is befriended by Richard, a handsome ex-con traveling across the country on a crime spree. Her short lived joy soon turns to terror.
Nico and Raphael stole a towel from Victoire, a girl who was swimming naked in a lake.
A blind employee at a New England lodge is in danger when a gang of killers arrives to stay at the lodge.
Kerry Ellison is sexually harassed at work. No matter how much she complains, the problem, Jack Gilcrest, is unstoppable. Kerry's only left option is court. Will she win?
Laura lives in fear in a small town. Her ex-partner, Hernán, was violent with her. Now, Hernán is about to return to town, and Laura must find a solution to avoid crossing paths with him again.
A man with a strange occupation kidnaps a woman he met at a party and tries to convince her to fall in love with him.
This one is a collage of Hollywood melodramas of the 1950s and 1960s, filmed directly from the television set. The constantly recurring motifs of suspense and clichés of plot make it possible to move seamlessly among scenes from different films with different protagonists: uneasy sleep, getting up, listening at the door, turning on the lights, being startled, etc. In the montage, the movements and gestures of the actresses – stars like Lana Turner, Tippi Hedren, and Grace Kelly– seem choreographed and planned for each other. The soundtrack supports this effect with connecting passages of sound that imitate the stereotypes of the genre. The treatment concentrates the dramatic shift from the familiar to the eerie and shows how women become the victims of the voyeuristic glance of film.
14-year old Julia is a frequent witness to the physical and psychological abuse her mother endures from her father. The fearfulness Julia lives in daily is evidenced by the many activities she starts, but can never finish, dreading her father’s reaction. Albeit he is extremely controlling, Julia seems to be a sociable teenager, with a protective instinct, although traumatized by her family’s reality. She is a well-informed young girl, well aware of what she has to do in order to put an end to the toxic environment they live in. Will she be able to, though?
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