Interstate 60 is a surreal road trip movie about a young man named Neal Oliver, who is on a journey to fulfill his wishes. He embarks on this adventure after encountering a magical wish-granting 1960 Cadillac convertible while blowing out the candles on his birthday cake. Along the way, Neal encounters various characters and situations that challenge his perceptions of reality. With elements of fantasy, comedy, and drama, Interstate 60 explores themes of self-discovery, the power of wishes, and the complexities of human relationships.
During the aftermath of World War II, a Dutch resistance hero is accused of art forgery and must prove his innocence in a court trial. The film explores themes of collaboration with Nazis, post-war justice, and the power of art.
When a valuable painting is stolen from the Metropolitan Museum of Art, a billionaire art thief and a determined insurance investigator engage in a mind game with high stakes. As the investigation unfolds, the lines between trust and deception blur, leading to a surprise ending.
How to Steal a Million is a charming heist comedy set in Paris in the 1960s. Nicole Bonnet, a young woman, discovers that her father is a master forger and her family's art collection is on display at a prestigious museum. To protect her father and his reputation, Nicole teams up with a suave burglar named Simon Demarest to steal a valuable art statuette before it can be exposed as a forgery. As their plan unfolds, they encounter numerous obstacles, including a bumbling detective and a nosy photographer. With wit, romance, and plenty of laughs, How to Steal a Million is a delightful caper filled with twists and turns.
After being fired from a job at an art gallery, an art expert suffers a mental breakdown and starts engaging in criminal activities. A detective takes on the case to unravel the truth behind the man's actions.
Mireille Stockaert is a lonely and broken woman. In love with painting and poetry, she makes do with her work in the cafeteria of the Beaux-Arts in Namur. Her life changes when she chooses to live in the large family house she inherits. Not having the means to maintain it, she decides to take in three tenants. Three men who will upset her routine.
Tamio takes Itsuko to an art gallery and the two find one painting is a nude portrait of Itsuko's mother, who disappeared twenty years ago when she was just a baby. No one knows the first thing about the artist who painted it, but he goes by the name Shiro Sofue, and he's always wearing shades in the daytime...
An art dealer in dire straits, after being ripped off by two crooks, one of whom owns a genuine painting by Gauguin while the other is an expert copyist, finds them again and, instead of killing them as he originally intended, joins in their game – with ultimately disastrous results.
Roberte, 40, resistant during the war, Calvinist and anticlerical, is deputy to the chamber and inspector of Censorship. She married Octave, an old Catholic aesthete, professor of canon law, whom she saves from impeachment for collaboration during the war. He submits his wife to a perverse custom: the laws of hospitality or prostitution of the wife by the husband.
Rube's and Ben's wives are waitresses. An art collector purchases a rare picture and the "picture pirate," representing himself as another collector, calls on the first collector. As he is leaving the place Rube and Ben try to pick his pockets, and admonishing them as amateurs, he tells them to join in with him and try to steal the picture. They take the art collector's wife with them to the same café wherein their wives are waitresses. Ben and Rube leave her there and hasten to her home to steal a copy of the picture, the owner having hidden the original. They also drink some poisoned whiskey left for them and fall into a fit. Later the "picture pirate" pays Rube and Ben for the picture, thinking it is the original.
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