Movies and TvShows featuring "food-on-face" theme.
Tokyo Ghoul is a movie based on the manga of the same name. It tells the story of a young man named Kaneki who becomes a ghoul after a chance encounter with one. As he struggles to come to terms with his new identity, Kaneki must navigate the dangerous world of ghouls in Tokyo while also trying to keep his human side intact.
After getting into a scuffle with his boss and some co-workers, an orange packer tries to help another co-worker, only to wind up in a conflict with him as well. Trying to elude his boss, he heads inside the packing house, and visits with the women who are packing fruit into cases. Then he heads to a storage area, and tries to use the machinery to escape his pursuers.
The new school teacher fresh from the city struggles with her unruly bumpkin students, while she awaits the arrival of her fiancé.
The film begins with Ben Turpin looking for some food. He's a hobo and is resorting to trying to steal food from a baby. That 'baby' is actually four year-old midget, Billy Barty. After spending some time in the park mooching, the film changes locales--to a beauty salon.
A society woman falls for a man she meets on the beach. The man decides to teach her a lesson by masquerading as his butler.
Fatty rescues the daughter of the police commisioner and is given a job as an officer as a reward, but its not all its cracked up to be!
Comedy on the golf links.
What we present to the world is a carefully curated version of reality. Girls Will Be is a powerful visual meditation on this topic, exploring the all too au courant themes of image obsession, social pressure, and shame. This "anti-fashion" fashion film eschews traditional narrative structure, instead presenting viewers with a dreamy tableau that viscerally juxtaposes the "perfect" images rampant on social media with the grotesque reality that often lurks beneath these lovely facades. In Girls Will Be, viewers get an uncomfortably firsthand close-up of the loss of innocence of a teen girl as her desire to be accepted by peers—and by extension society— makes her vulnerable to their perversely warped value system.
Stan plays a waiter at a crappy restaurant and frankly such fare was better done by Chaplin and others. However, in two cute scenes, the film shines. The first is a Limburger cheese bit that is low-brow but funny. The second is the final scene with dogs following Stan at the end.
Snub Pollard and Marvin Loback find comic situations as bums, night cops and seance attendees in this silent short.
Romantic adventure film in which the girl Betty, who dreams about pirates, and her gullible father is tricked by a set of real pirates. They are rescued by a young man who has a crush on Betty.
Harold Lloyd's character loves Bebe Daniels' character and is about to marry her. But then he meets the clan of Snub Pollard where it's a riot all the time.
It's 3:00 AM at the Firewater Club, and Stanley has had more than enough to drink. When he tries to take over leading the orchestra, the manager - a former boxer - lets him know that he needs to restrain himself. But it's not long before Stanley causes another disruption anyway, and when he then tries to dance with the manager's wife, the manager's patience finally runs out.
A man yearns to escape the familial obligation of murdering strangers to feed his crippled cannibalistic brother.
A courtroom comedy! In this short we follow suspect Mr. Wilson (Clyde) as he explains the events leading to him hitting brother-in-law Homer Healy (Jack Shutta) with a monkey wrench. This was Andy Clyde's last short film for Educational Pictures.
In the late 19th and early 20th centuries, 'counter jumper' was the term used in both Britain and the U.S.A. to describe the lowest dogsbody clerk in a general store or emporium. Here, Semon is employed in that capacity in an Old West general store that caters for desperate characters. As usual for Semon, most of the gag set-ups are deeply contrived and implausible. We get here not one but two separate sequences in which randomly splattered stains just happen to resemble a human face.
Annie, left orphaned after the death of her mother, goes to live in an orphanage where she tells her fellow orphans stories of ghosts and goblins. The matron of the orphanage finds Annie's closest relative, the abusive Uncle Thomp. Her uncle who puts her to hard work doing hard labor on his farm, belittling her all the while. Big Dave, a neighbor and tough cow-poke sees this and comes to her aid. Dave becomes her protector. Eventually Annie goes to live with Squire Goode and his large family. There, she entertains the children of the household with her stories, but sees her abusive aunt and uncle as her chief tormentors. She tells stories of how the goblins will take away the children if they are not good. Each story she tells is illustrated. War breaks out and Dave, who Annie adores, enlists. Uncle Thomp, hearing that Dave has been killed in action, takes pleasure in telling Annie the news. Broken-hearted, Annie falls ill and dies in bed, surrounded by family.
A pair of rail-riding bums exit their boxcar in the town of Excema, where they get work as waiters and have trouble with clams, bottles of beer, and pies.
After two days alone in the woods, a young girl's reality begins to blend with her favorite comic book.
Harold invades the "Gilded Guzzle" café, where he appropriates a lady's roll of money, hides under a table and impersonates a cigar store Indian.