Movies and TvShows featuring "flying-sub" theme.

Voyage to the Bottom of the Sea follows the crew of the futuristic submarine Seaview as they explore the depths of the ocean. They encounter various sea monsters, alien species, and embark on time-travel adventures. The show is set in the 1960s and is filled with action, drama, and fantasy elements.

In this final installment of the Godzilla series, aliens are controlling all of Earth's kaiju to wreak havoc on mankind. The superhero Godzilla rises to protect humanity in a final, epic battle.

Marine Boy was one of the first color anime cartoons to be shown in a dubbed form in the U.S., and later in Australia and the United Kingdom. It was originally produced in Japan as Undersea Boy Marine by Minoru Adachi and animation company Japan Tele-Cartoons. It was sold outside of Japan via K. Fujita Associates Inc., with Warner Bros / Seven Arts Television handling worldwide distribution of the English-language version.

Supercar was a children's TV show produced by Gerry Anderson and Arthur Provis's AP Films for ATV and ITC Entertainment. 39 episodes were produced between 1961 and 1962, and it was Anderson's first half-hour series. In the UK it was seen on ITV and in the US in syndication. The format uses puppets in a technique called supermarionation, a name that was first seen in the closing titles of the last 13 episodes. The plot of the show consisted of Supercar, a vertical takeoff and landing craft invented by Rudolph Popkiss and Horatio Beaker, and piloted by Mike Mercury. On land it rode on a cushion of air rather than wheels. Jets in the rear allowed it to fly like a jet and retractable wings were incorporated in the back of the car. Retrorockets on the side of the car slowed the vehicle. The car used "Clear-Vu", which included an inside television monitor allowing the occupant to see through fog and smoke. The vehicle was housed in a laboratory and living facility at Black Rock, Nevada, U.S.A. In the show's first episode, "Rescue", the Supercar crew's first mission is to save the passengers of a downed private plane. Two of the rescued, young Jimmy Gibson and his pet monkey, Mitch, are invited to live at the facility and share in the adventures.

Mighty Jack was a tokusatsu SF/espionage/action TV series. Created by Japanese effects wizard Eiji Tsuburaya, the show was produced by Tsuburaya Productions and was broadcast on Fuji TV from April 6, 1968 to June 29, 1968, with a total of 13 one-hour episodes. The music for the episodes was done by Isao Tomita and Kunio Miyauchi. Reportedly, Eiji Tsuburaya considered this series his masterwork because the focus was on the people rather than on the vehicles and special effects This focus on the people was similar to the works of Gerry Anderson, of which Eiji was a big fan. The Mighty Jack mecha/HQ featured in this series also has some similarities to Eiji's previous TV masterpiece, Ultra Seven. Even for the original series of 13 one hour-long episodes, the ratings were low. The follow-up series, Fight! Mighty Jack, fared better in the ratings, perhaps because of its inclusion of monsters and aliens rather than purely human evil-doers like Q.

In 'City Beneath the Sea', a bio-dome containing an underwater city becomes the central location for a heist that goes awry. As a group of terrorists threatens the city's existence, a team must find a way to stop them and prevent a disaster. With a flying sub and a submarine as their tools, they navigate the treacherous depths to save the city.