The movie is about dictatorships in Greece – first, the Metaxas regime (1936-1940), and then the Colonels’ Junta (1967-74). In Part One, the Metaxas regime is depicted as a circus, where Thanasis (Thanasis Vengos) is a clown trying to conceal a young colleague’s subversive action. In Part Two, we see Thanasis suffer because of his honesty and kindness, in a country where the system’s irrationality is clearly evident.
An incorruptible examiner finds the real culprit of a brutal homicide and tries to release his wrongfully accused ex-lover. Now, he is closer to the solution; but, it takes courage to face the facts. Is he prepared to confront the truth?
Lola, a Greek prostitute, is released from prison and sets out on a mission of revenge against those who wronged her. As she navigates the seedy underworld of Athens, she is faced with danger, desire, and betrayal.
The abysmal hatred which exists between two landowners is transferred to their natural environment as well. Whatever crosses the river separating the two families, be it man or beast, dies. The film is yet another rendering of the Romeo and Juliet tale, with intense emotions, dominated by the extreme behavior of the heroes. The film tries to imitate the style, atmosphere and action of westerns.
18 year old Stefania is brought to a juvenile reformatory for young prostitutes. The institution is actually a prison, and one of the worst and most squalid of its kind. It's a real hell. Two dozens of ragged girls are crammed into a dormitory, locked by a thick iron door, two in each bed. Meals and work is carried out in other sections of the building, separated by iron bars. A young doctor shall investigate the newcomer. When they meet, they immediately recognize each other. It is Giorgos, the doctor that treated Stefania's mother a couple of years ago, and then had a little flirt with Stefania. He has been thinking of her ever since. He immediately falls in love with her, and wants to help her. Stefania is thinking about any possibility to get out from the prison. She flirts with the ugly yard guard Armandos, and with the truck driver coming with foodstuff, but in vain...
The plain of Thessaly, 1910. The tenant farmers suffer untold hardships, both from the Arvanites invaders who ravage and seize their possessions and from the chief landlord of the area Stratos Karatzas, who claims the lion’s share of their harvest. The dynamic daughter of one of the tenant farmers, Maya, who is about to get married to a young farmer, Lefteris, leads their struggle for better conditions and confronts Karatzas – as well as his niece Vgenio, who also wants Lefteris. The latter plots and succeeds to separate them. Lefteris leaves for the army and Karatzas persuades Maya to marry him. Lefteris is captured during an ambush set by the Turks, but in the end he is set free and returns to Maya’s arms forever.
Adapted from Nikos Foskolos’ theatrical play. On a terribly stormy night, in a secluded hotel, the owner, Brigadier Norton, is murdered. Prime suspects: his daughter Elena, his second wife Liza, Liza’s niece and her fiancé, Norton’s physician, and the hotel staff. Inspector Fox and his assistant, policeman Petridis, are assigned the investigation of the crime. While the suspects’ questioning is under way, some more people arrive at the hotel: detective Tilemachos Christofis with his assistant Aliki, and lieutenant Karalis, a sworn enemy of the victim, complicating things even more.
We Have Only One Life is a heartwarming story about a banker who embezzles money from his jewelry store. When he is caught, he must face the consequences and find redemption. Along the way, he discovers love, friendship, and the true meaning of life.
Giannis (Alekos Alexandrakis) pretends to be the lost son of the Mavroleontos family. The mother (Vaso Metaxa) is happy with the return of her son. Her daughter Liana (Zoe Laskari) is also happy, and Giannis falls in love with her. Liana’s cousin Zanet (Mary Chronopoulou) tries to kill Liana so that she can claim the family fortune, but in the end she injures Giannis.
This immensely successful remake of the 1929 foustanella classic was directed by Dinos Dimopoulos and quickly established its stars (Dimitris Papamichael and the beautiful Aliki Vouyouklaki) as the Greek cinema's top box-office draws. The story itself rigidly follows the conventions of its subgenre, although because Greek filmmakers were still churning out foustanellas for decades afterward, it hardly seems more dated than the original. Once again, it tells the tale of Mitros (Titos Vandis), a wealthy herd owner with a foster daughter named Astero (Vouyouklaki) whom he marries off to another herd owner, despite the fact that she and his son Thimios (Papamichael) are desperately in love. The other herd owner dies and Astero loses her mind a bit (although she doesn't wig out quite as spectacularly as Aliki Theodoridou in the silent original), but Mitros finally comes to the right decision and allows the children to marry.
To help her sick mother, a girl is hired for what she believes to be a simple delivery service. That will cause her serious problems with her boyfriend and with justice.
Dimitri Vranas, a young professor of medicine at the university, by mistake will be found in a youthful party where he meets Angela. Angela, has just scold me with her boyfriend Chris, a student of medicine will follow Dimitris home and although he would clear, she would spend the night in the bathtub. The next day he is forced to leave, but will rejoin him in school teaching. You know each other better and Dimitris would propose to become governess Andreas
Three young musicians and three female singers strive for success, competing each other. But love gets in their way.
A spoiled rich girl falls in love with a poor, good-looking but also talented pianist, rejecting a wealthy suitor from her own class. However, a combination of her parents' pressure and a misunderstanding with her beloved leads her to accept the proposal of a wealthy businessman. At the same time, an accident obliges the young pianist to abandon his piano for quite a long time. And although the young girl stands by him in his time of need, she leaves him the moment he recovers. However, on the night of his first concert, she returns to his side, determined to spend their life together.
A police officer tries to discover the murderer of his brother, who was a pianist and a morphine. As a member of the Drug Enforcement Department, he tries to identify the head of a drug dealer gang. His unorthodox way of acting upsets his superiors, even though they allow him to continue his investigations. When the gang discovers that he is a police officer, he makes him a drug addict, but he manages to detoxify and eventually capture the gang's brain.
In this color comedy Thanasis trying for years to leave illegally for America to make his life because due to financial can not pay fares, but always something was wrong and left behind. His friend, Nikiforos, advises him to stay in Greece, to work and to look to find the namesake of Thanasis, who helps around the world.
A nightclub singer is forced to shoot her ex-boyfriend, who has escaped from prison and is blackmailing her for money. Believing him to be dead, the girl decides to leave and start her life anew. She marries a wealthy gentleman, who is unaware of her past, and together they have a baby girl. One day, however, an old friend – who, by a devilish coincidence, is also her husband’s brother – will return, threatening to reveal everything about her past.
Viky, a Greek from Africa, returns in shock to her homeland after the riots in the Congo, where she saw almost all of her family killed before her very eyes. In Athens, the businessman Angelos von Zirach, of German origin, helps her brother avoid financial disaster, but also helps her launch a career as a singer and dancer. Viky falls in love with him and agrees to marry him, inviting the wrath of his secretary and lover Tzina, who, in order to get even with him, reveals to Vicky that Angelos' ships don't transport food, medicine and indispensable articles to Africa, but guns, ammunition and even mercenaries. Viky is shocked. She turns in von Zirach to the police and leaves. After some years, she returns to him with their son Freiderikos, when von Zirach has donated his fortune to the orphans of Biafra.