Movies and TvShows featuring "financial-hardship" theme.

Two seasoned drug dealers return to the gritty street of London, but their pursuit of money and power is threatened by a young and ruthless hustler.

A new sketch comedy show that is funny - and has girls! Featuring fast paced sketches that cover issues such as work, life, relationships and what to do when you’re being haunted by a photobombing ghost. Set on a fictional television show where a large group of men produce an all-female sketch show. Funny Girls is a combination of hilarious sketches linked together by a behind-the-scenes narrative often derived from misguided opinions on what women want.

Margo Millet, the child of a Hooters waitress and an ex-pro wrestler, becomes pregnant after a brief affair with an English professor, Mark, at the local junior college she attends. Now, at 20, Margo is alone with an infant, unemployed, and on the verge of eviction. When her estranged father Jinx shows up on her doorstep and asks to move in with her, she agrees in exchange for help with childcare. Margo starts an OnlyFans as an experiment and soon finds herself adapting some of Jinx’s advice from the world of wrestling. Could this be the answer to all of Margo’s problems, or does internet fame come with too high a price?

Gokul’s financial reach far exceeds his reality, but juggling unpayable loans and dodging debt collectors, he tries his best to provide for his pampered son, Anbu. With his mother away on business, Anbu persuades his father to go on a motorcycle trip through the countryside – a welcome break from everyday hustle, that helps Gokul realise that his son’s tantrums have a far deeper root than he thought.

Frankie is a car park attendant at the spectacular Giant’s Causeway in Co. Antrim. His friend Cathy and her husband Paul are in trouble. Nevertheless as Frankie always says, "Something will turn up!"

A local construction worker and a Chinese engineer are assigned to build a bank in Bangui, the capital of the Central African Republic, one of the poorest countries in the world. But time is short and resources are scarce, and there are rumours in the countryside that a new civil war is brewing. And as if all this wasn’t bad enough, their relationships to their wives are falling apart. ‘Eat Bitter’ mirrors the existential and mundane problems of the two men, while an unlikely friendship and mutual trust blossoms between them. However, the chaotic microcosm of the construction site also mirrors China’s contradictory role in 21st century Africa, with the bank itself as the ultimate symbol of money, power and illusion. Director duo Pascale Appora-Gnekindy and Ningyi Sun themselves represent each of the two cultures, and their film has a unique eye for the human fallibility and irony of it all, but also for how we can reach each other despite all our many differences.

Alison, left to manage an ailing farm and an alcoholic father-in-law after her husband’s sudden death, navigates the challenges of rural life. The film explores generational trauma, love, loss, and the undeniable resilience of a farming community in the face of tragedy.

For 13-year-old Kaitlyn, her world threatens to collapse when she learns that her parents want to get a divorce, especially because it threatens the loss of the house they shared in Portland, which had always been Kaitlyn's home. The teenage girl has dark thoughts and lost interest in life. The breeding pigeons given to her by her mother's police colleague don't make things any better. What should she do with the birds? Then her best friend Adam gives her an idea: they could steal the very valuable racing pigeon named Granger from the local breeder Jaan Vari, sell it and use the proceeds to pay off the mortgage on her family's home. The plan initially works, but then everything seems to go wrong and Kaitlyn loses her footing even more. But surprisingly, the old man who was robbed takes care of the girl and a bond develops between the two, which ultimately leads her to a new outlook on life.

Today, countless French people of all ages find it hard making ends meet. We know virtually nothing about these lives, their innermost thoughts, their daily routine and their struggle to survive. Stigmatized by misleading and unfair descriptions, they are the dark and silent face of our society that we are gradually coming to accept. However, within them, they carry the desire for rebellion, their dreams, the lust for life and the words to express all that. Alone at their side, volunteers from charity organizations, a genuine shadow army, work selflessly for an idea of justice and the common good. Their united energies fuel the desire to go on living together and mark out a pathway of hope for all. Cinema's fragile gift is to place us at the heart of these fragments of existence, both offered to our gaze and yet so modest.

An opera troupe has to dissolve in view of the poor economy. Comedian star Sang Kwai-lei loses his job and he has no alternative but to play the lion character in the opera troupe of his former junior apprentice Chan Hau and pawn his stage costume. He aims at earning enough money to support the final year's secondary school studies of his elder son Chi-kuen. Kuen however refuses to continue his studies, seeing that his father has to put aside his dignity to earn money and his mother is worried. Lei is enraged and uses the money to support his younger son Chi-wai's studies. Again, Lei loses his job and he resorts to giving street performances, his wife takes up sowing work in her spare time and she dies after a long illness. Kuen works to support himself through school, but Wai is less fortunate, he is forced to enrol in an opera troupe as an apprentice. Years later, the dying father joyfully embraces Chi-kuen's return from his studies.

A couple trying to rekindle their relationship travel to St. Pierre, a French island off the Newfoundland coast, and become entangled with another couple.

"Mission Asset Fund's work cuts to the core of the financial pain points families everywhere face." - Sam Ruiz