Blue is a 1993 experimental film that explores themes of illness, loss, and artistic creation. The movie depicts a poet's journey with AIDS and the emotional and physical struggles he faces. The film is unique as it is entirely audio-only, with no images displayed on the screen. It is a powerful and thought-provoking exploration of the color blue and its symbolic significance.
Monteiro moved far away from the visual opulence defined by his earlier films with his inspired adaptation of radical Swiss writer Robert Walser’s anti-fairy tale. Carefully restricting the image track, Monteiro maintains an almost totally black screen in order to focus instead on the voices of Snow White, the Prince, the Queen and the Hunter, engaged in an extended debate about love, free will and the events leading up to the fateful attempt on the maiden’s life. Despite its visual austerity, Snow White is haunted by the arresting images with which it begins – infamous black-and-white photographs of Walser lying dead in the snow after his heart attack outside a Swiss asylum at the age of seventy-eight, a strange realization of the “death of the author” so central to postmodern literary criticism.
A pictureless film in 3D sound full of political, poetic and incendiary echoes around the death and words of Percy Bysshe Shelley, an infamous young poet driven out of his country after kidnapping his future young wife, Mary Shelley, and who was found dead in 1822, at the age of 29, on the shore of Viareggio in Italy. This sound movie uses text, music and sophisticated sound design projected via 27 speakers to conjure powerful images in the listener's mind.
Wochende (Weekend) is a film initially commissioned by the Berlin Radio Hour. Prior to Weekend, Ruttmann had made numerous celebrated avant-garde films, namely Opus I-IV, and the spectacular Berlin: Symphony of a City (1927). The advent of sound films dawned, and, interested in how spectators perceive sound, he premiered a film without pictures. On June 13th, 1930, the audience took their seats, the lights went down, and the sound of the film was heard. But the screen was completely blank.
Aditya's film features the first picture-less film in human history. A solo-film based on dictatorship, democracy, and Indian politics.
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