Two film students, Joe and Baggy, decide to make a pornographic film for an amateur film festival. They face various challenges while trying to produce the film, including finding the right cast and dealing with their own personal relationships.
Simon, a well-known French filmmaker, starts shooting his next film. A story about workers fighting to protect their factory from being relocated. But nothing goes as planned... His producer Viviane wants to rewrite the ending and is threatening to cut the budget; his own crew goes on strike; his personal life is in shambles; and to make things worse, his lead actor Alain is an egocentric jerk. Joseph, an extra who wants to get into the film industry, agrees to direct the making of and shoot the behind-the-scenes. He takes his role very seriously and starts following around the crew, capturing all this mess... What follows is proof that the making of can sometimes be far better than the film itself!
How Frans Afman, a banker from the Netherlands, developed a new system for film financing, revolutionized independent filmmaking in Hollywood, but could not prevent it all from crashing down, when ambition of others turned into greed.
Interview with Joel & Ethan Coen about blood simple.
A new conversation between author Dave Eggers and the Coen Brothers about the production, from inception to release, of 'Blood Simple'.
In this "inside look" at French filmmaking, Marechal - who is a has-been director - a producer, Vito Catene and Camile Dor, a big-name actress, have agreed to make a film about drugs, but don't have a story, financing, or any of the other elements needed to make it. This doesn't stop them; they cobble together the financing and begin shooting anyway. The producer is very fond of the leading actress, and when she gets hooked on drugs for real in the course of shooting what he feels to be a farcical imitation of a film, he gives up his shares in the film and heads off for the back of beyond (Zanzibar) to lick his wounds. To add insult to injury, the film winds up being a critical and commercial success.
Reel Bad Arabs: How Hollywood Vilifies a People takes a critical look at the negative and stereotypical representation of Arabs and Muslims in American cinema. Examining the history of Arab and Muslim characterizations on screen, the documentary reveals the impact of these portrayals on real-life perceptions and contributes to the perpetuation of stereotypes. Through interviews with scholars, activists, and filmmakers, the film aims to shed light on the racial profiling, propaganda, and prejudice prevalent in the film industry.
Against the backdrop of the 1977 Edinburgh Film Festival, two low-budget filmmakers attempt to talk up some finance as they hunt for cash, cast and ‘name director’ Sam Fuller to shoot their Aberdeen-set oil-boom adventure ‘Gulf and Western’. Along the way, they encounter a plethora of filmmaking luminaries including Wim Wenders, Stephen Frears, John Boorman, Bill Forsyth and Alan Bennett.
Satire about an Oscar winning filmmaker who returns home and can't find success anymore.
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