Sinners is a powerful drama set in 1960s Ireland, focusing on the story of a young woman who finds herself in a Magdalene Laundry, a Catholic nun-operated institution where 'fallen women' were sent to perform manual labor as punishment for their sins. Separated from her baby and subjected to physical punishment, she navigates the oppressive religious order and attempts to break free from the social stigma of her past. The film explores themes of abuse, forced adoption, social injustice, and the strength of the human spirit in the face of adversity.
An unflinching look at how women are treated in the USA today examining issues such as workplace harassment, domestic violence, rape and sexual assault. It shows how discriminatory attitudes still prevail and influence society and argues for the need to improve laws that claim to protect women.
When a courageous young woman and a radical lawyer discover a pattern of illegal involuntary sterilizations in California’s women’s prison system, they take to the courtroom to wage a near-impossible battle against the Department of Corrections. With a growing team of investigators inside prison working with colleagues on the outside, they uncover a series of statewide crimes - from dangerously inadequate health care to sexual assault to coercive sterilizations - primarily targeting women of color. But no one believes them. This shocking legal drama captured over seven years features extraordinary access and intimate accounts from currently and formerly incarcerated women, demanding our attention to a shameful and ongoing legacy of eugenics and reproductive injustice in the United States.
In an Iranian juvenile detention center, a group of adolescent girls serve their sentence for the grave crime of murdering their father, their husband or another male family member.
Made jointly by the Women’s Film Workshop and some of the inmates of the California Institution for Women, this is a moving analysis of why the women are in prison, what’s happening to them, what’s to become of them. It begins and ends with film taken outside the walls, while the rest is videotape transferred to film of the prisoners talking about race, sex and religion, class, economics and drugs. Occasionally statistics are inserted, but generally the women show such a degree of articulacy and radical thought that what they have to say is explanation enough. A remarkably undated combination of political anger and collective tenderness.
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