In a world where no one speaks, a devout female hunts down a young woman who has escaped her imprisonment. Recaptured by its ruthless leaders, Azrael is due to be sacrificed to pacify an ancient evil deep within the surrounding wilderness.
Twelve-year-old Cole Johnson is bullied by his neighbor Jeremy, but his babysitter Bee stands up for him and scares Jeremy off. The following day, when his parents go out for an overnight stay at a hotel, Bee and Cole spend quality time together until he has to go to bed. Cole discovers that his hot babysitter belongs to a satanic cult that will stop at nothing to keep him quiet. He tries to escape, but the cult members chase him down, leading to a final showdown.
All Brenda wants is a normal life with a normal boyfriend, but she soon finds that her boyfriend is anything but normal -- he's part of a Satanic cult that makes human sacrifices! A police-interrupted ritual at the cult's demonic temple lands Brenda in jail. Upon release, she has to pick up the pieces of her shattered life with the help of a protective lawyer, a hardened detective, and her old cellmate. But the cult hasn't forgotten Brenda, and they will stop at nothing to silence her... forever!
Anne Hamilton-Byrne was beautiful, charismatic and delusional. She was also incredibly dangerous. Convinced she was the reincarnation of Jesus Christ, Hamilton-Byrne headed an apocalyptic sect called The Family, which was prominent in Melbourne from the 1960s through to the 1990s. With her husband Bill, she acquired numerous children – some through adoption scams, some born to cult members – and raised them as her own. Isolated from the outside world, the children were dressed in matching outfits, had identical dyed blonde hair, and were allegedly beaten, starved and injected with LSD. Taught that Hamilton-Byrne was both their mother and the messiah, the children were eventually rescued during a police raid in 1987, but their trauma had only just begun.
A teenage orphan girl Salome lives within a sect lead by charismatic and ruthless Maria Åkerblom. During a pivotal summer, Salome is faced with standing up against Maria, the woman who had saved her.
A bizarre sci-fi rock opera like little else being produced under the banner of Canadian film at the time, Metal Messiah is about an enigmatic metallic-skinned stranger trying to stop society's self-destructive obsession with rock and roll. Anchored in Toronto's live music scene if the late 1970s, this dystopian parable was the feature film debut of local music impresario and director Tibor Takács. Working with screenwriter Stephen Zoller, Takács' film is a crudely crafted, episodic work that plays out like a glam version of Amos Poe's avant-punk NYC flick The Foreigner (1978), but with even more ambition, attempting to scale to the bombastic rock opera heights of films like Phantom of the Paradise (1974) and Tommy (1975). (from: http://www.canuxploitation.com/review/metalmessiah.html)
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