A man in his 30s still lives with his parents, so they hire a woman to pretend to be his girlfriend and get him to move out. However, things get complicated when they start to develop real feelings for each other.
During the course of one summer, a young Irish lad named Chris befriends an American boy named Joe. The two couldn't be more different, yet they become inseparable. Things turn horribly wrong however, when Chris discovers his new best friend isn't a he, but a she. The sadness only begins as Chris learns why Joe's gender must be kept a secret.
Chloé is ten years old. She plays soccer, never cries and doesn't like other girls. One day, Marie, a sweet blond girl, participates for the first time to the games of Chloé and her boy friends. Marie's feminity puts in danger Chloe's self confidence and the whole band...
15-year-old Moritz lives in a posh area of Hamburg, but his parents did not care about it. The teenager suffers from ridicule of his classmates and finds refuge in his dreams and playing the saxophone. Only when he joins a band and began performing there Moritz pulled out of the vicious circle, and finds love with new friends...
Protéa is the last film directed by Victorin-Hippolyte Jasset, one of the early film pioneers in France. The hero of this film is a female spy, an acrobatic Mata-Hari, played by his favorite actress, Josette Andriot, who wore a characteristic costume of a close-fitting black jersey, two years before Musidora achieved cult status with her similar appearance as Irma Vep. This final masterpiece reflects Jasset's popular style: rhythmic action, fantastic realism, rich visuals, an anarchistic philosophy, a disdain for psychology, and an attention to lighting that earned him the nickname “the Rembrandt of the cinema". Although Jasset died shortly after completion, the film had considerable success and Andriot went on to make four more films in the series with other directors.
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