Family Ties is a sitcom that follows the Keaton family, consisting of a young Republican couple, their three children, and their ex-hippie friend. The show explores the culture clash and generation gap between the parents and their children, with politics often being a central theme.
Following the success of the three-part miniseries of the same name, the drama series follows the daily lives of Seattle's Gardner family. Joe Gardner is the owner of a successful plastics business and the father of four adult children. The Gardner family includes twice-divorced daughter Anne, who returns home with her two teenaged children; daughter Lindley and husband Jim, parents of a newborn baby daughter; black sheep son Jack; and conservative youngest son Sam, newly married to free-spirited Kay.
Old Joy follows two friends, Mark and Kurt, as they embark on a camping trip in the Oregon mountains. The trip serves as a way for them to reconnect and escape their everyday lives. As they hike through the forest and soak in hot springs, tensions and underlying issues between them begin to surface.
Far Out Man follows the story of a former hippie who embarks on a road trip filled with hilarious encounters and unexpected twists. Along the way, he crosses paths with a female police officer, a television reporter, and a punk rock band, leading to a series of outrageous events. With themes of marijuana, rock and roll, and counterculture, this film is a wild ride that will leave you laughing.
When a high school newspaper editor discovers a scandalous story involving a taboo relationship, she must navigate through the treacherous world of high school cliques and uncover the truth while dealing with her own personal issues.
Taiwan Canasta is a satirical comedy-drama set in Taiwan in 1985. The film follows a man who finds himself unemployed and struggling to make ends meet. As he navigates through the challenges of finding work and dealing with a tragic event, he is confronted with the complexities of Taiwanese society. Through wit and humor, the film explores themes of socialism, protest, nonconformity, and the generation gap.
Venice is having trouble with the men in her life: she breaks up with her lover and starts an affair with her best friend. The aggravation of her ex-hippy dad, camped on her sofa, is the last straw.
Max Plugin is a jaded but flamboyant relic of the 1960s. In his teens, Max ran away to California, where he met Teschlock, a charismatic ascetic and guru renowned among a small group of young followers. At that time, when Teschlock asked Max to join him and his disciples on an ashram in India, Max declined and returned home. Now, forty years later, at age 57, Max takes a journey to India to find Teschlock's grave-site, and also himself. His adventures in India, and his Castaneda-esque experiences back home, form the heart of this very unusual road movie.
A close look at the Austrian far-left Friedrichshof Commune which was set up in 1972 by artist Otto Muehl. It was dissolved in 1990 when Muehl was convicted of the abuse of teenagers who lived in the commune.
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