A famous French filmmaker is hired by a major Hollywood producer to make a documentary on the state of post-Cold War Russia. The filmmaker, though, subverts the project by stubbornly remaining in France and casting himself as the title character of Dostoyevsky's "The Idiot," offering up a series of typically Godardian musings on art, politics, the nature of images and the future of cinema.
News from Ideological Antiquity: Marx - Eisenstein - The Capital is a documentary that explores the relationship between legendary filmmaker Sergei Eisenstein and the influential philosopher Karl Marx. The film delves into their intellectual connection and examines the impact of Marx's ideas on Eisenstein's filmmaking.
“The Woodman” is a feature film with a thriller theme with a life size wooden dummy as the protagonist. It is a fairy tale about the outsiders in the world represented by the Woodman. This story is the reverse of the usual representation – the Woodman is now on the search of his home, chased by evil powers invisible in the film, he wants to go back to his forest, he wants to go home.
The story of Russian director Sergei M. Eisenstein in Mexico trying to film his unfinished ¡Que Viva Mexico! - Da zdravstvuyet Meksika! (1979).
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