For his five Cremaster films Matthew Barney's created a multitude of sculptural forms and structures. Recently both the sculptures and the films traveled to museums in Cologne, Paris and New York's Guggenheim. In THE CREMASTER CYCLE: A Conversation with Matthew Barney, the artist guides the camera through this remarkable creation at the Guggenheim Museum while being questioned by Michael Kimmelman, chief art critic of the New York Times.
The multiple means of making art after the end of illusionism led these artists to create performances, sculptures, earthworks, tableaux, furniture, shaped canvases, and more, using unusual materials. They explore the process of making forms and giving meanings to those forms. In this idea art, their focus is as often social and psychological as artistic. Some of their activities enlist engineering and construction techniques, others compose texts or scripts that are central to their art. Some cast the viewer in the role of a spectator, while the others demand active participation. The sources for their concepts and art works are equally diverse; the delicate proportions and balance of Early Renaissance painting, the exploration of the surface of the moon, the structure and inventions of vernacular architects, to name only a few.
Earthwork is a 2009 drama film that tells the story of an artist who creates large-scale crop artwork in his hometown during the 1990s. The film explores the dedication and challenges faced by the artist in pursuing his unique artistic vision.
Critic Kenneth Frampton is a masterful commentator on the architecture of our time. At the start of his long-spanning career Frampton worked as an architect in London before settling into his writing and teaching, which mainly took place at Columbia University. Over the past fifty years Frampton has certified himself as a prolific and influential contributor towards a progressive interpretation of the role of architecture in modern society. In "Kenneth Frampton: A Critical Voice", architect Stan Allen interviews the renowned critic and questions him about his architectural contemporaries, notable past projects, and published writings.
Sun Tunnels is a short movie from 1978 that takes the audience on a journey through the Sun Tunnels, an incredible earthwork sculpture created by Nancy Holt. The film showcases the beauty of the desert landscape and offers an artistic exploration of the intersection between art, environment, and nature.
This film, made by the artist, Robert Smithson, with the assistance of Virgina Dwan, Dwan Gallery & Douglas Christmas, Director, Ace Gallery, (the aforementioned Dwan & Christmas also assisted Smithson financially with the making of the Spiral Jetty), is a poetic and process minded film depicting a "portrait" of his renowned earth work -- The Spiral Jetty, as it juts into the shallows off the shore of Utah's Great Salt Lake. A voice-over by Smithson reveals the evolution of the Spiral Jetty.
40 years after the completion of the work 'Broken Circle/Spiral Hill', the film that Robert Smithson was never able to finish due to his untimely death has been completed in collaboration between artist Nancy Holt and SKOR.
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