An experimental short film exploring fragile masculinity, small town mentality and cultural confusion, following a young Australian man on a spirit quest for significance and identity.
This work by indie filmmaker Ikon documents 20 Years of Jungle Mania, a rave held on 6 April 2013 at the Coronet Theatre in London. The event celebrated and commemorated 20 years of drum and bass music in London dance culture. In addition to coverage of the live performances and the crowd, the film features interviews with reknowned drum and bass DJs and producers who performed that night.
Drum & Bass: The Movement explores how a unique UK club culture rose from an underground movement to become a global phenomenon infiltrating and influencing disciplines from mainstream pop music to video games. From dubplates to mainstream crossovers, to the labels, the tracks and the clubs that shaped the game, Drum & Bass: The Movement is a snapshot of jungle drum & bass history and how it’s always been much more than a genre of dance music: it’s a lifestyle. The movement continues...
Goldie, the godfather of drum and bass takes us on a roller coaster ride through his frenetic life. A journey that takes us from Wolver Hampton to Tokyo, Miami to Hong Kong; through his years in council care and his life as a musician and international pop star. Along the way we meet his family, his collaborators and his celebrated friends, David Bowie and Noel Gallagher.
Ladies, All The Ladies is the result of Lady Lucy’s self-imposed search to meet other Ladies.
Filmed at London’s O2 Arena in February 2013, Plan B’s “The Grindhouse Tour” captures a stunning live event that combines intense music performances with spectacular visuals. The show is split into two distinct parts with the first half focusing on the “Defamation Of Strickland Banks” album and the second half on the “Ill Manors” movie and album. Huge screens relay the visual elements of these musical stories whilst Plan B and the band deliver the songs from the stage. The connection between artist and audience is palpable with fans singing along to every word on the “Strickland Banks” songs and turning the O2 arena into a giant dancefloor during “Ill Manors”. This is a breathtaking show that every Plan B fan will want to own.
Swamp City is a documentary film that explores the vibrant electronic music scene in a small city. It follows a group of self-taught and improvised musicians who create music in their home recording studios and rehearsal spaces. The film showcases their live performances, recording sessions, and interviews with the musicians. With a lo-fi and dark-wave aesthetic, the documentary delves into the challenges and creativity of the underground music scene in Swamp City.
Talkin' Headz is a documentary film that explores the history and impact of the influential record label of the same name. Focusing on the emergence and evolution of drum and bass music, the film features interviews with artists, DJs, and industry insiders who played a pivotal role in the scene. It provides an in-depth look at the label's contribution to the genre and its ongoing legacy.
Concentric Beats is a documentary film about the US drum'n'bass music experience, focusing mainly on three cities: Los Angeles, New York and San Francisco. Besides featuring club and rave footage, the narrative of the film is carried through by over 70 interviews with some of the main protagonists of the drum'n'bass scene in the US as well as abroad. We listen as DJs, producers, club promoters, record label executives, dub-plate manufacturers, music journalists, and fans all speak on the history of the US drum'n'bass movement.
A narcotics cop who moonlights as a heroin addict, finds redemption and a future in a sassy working girl who sees the gentle, loving man within, if only he can escape the darkness that keeps pulling him down.
A documentary looking at the first Sony deal of LTJ Bukem's Good Looking label in Japan and LTJ Bukem coming into the USA. The documentary follows Good Looking Records – (mainly) Tony Fordham, Danny Williamson and Conrad Thompson - giving you an insight into how different the scene was back then along with a margin of similarity that still remains. Vinyl pushing / Expanding the Brand / Cutting House “They’re fuckin bootlegging my records mate!”
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