Ida McBride decides to drill for oil on her ranch, against her son Tom's wishes. A contentious crew of wildcatters arrives, including a stalwart drilling magnate, his tool-pusher and a young roughneck associate, who endeavor to save the ranching empire by trying to bring in a methane gas well.
Film art as a vehicle for denounce. This time, documentary film maker Kowalski chooses the seemingly quiet Polish landscape, a land chosen for gas drilling, making a careful examination through a cautious revision of the tracks left on the fields and the sincere confessions of discontentment of the farmers who witnessed the terrifying consequences of the intervention of great international corporations in the fields of Poland. The landscape in this resource-exploited land is infested by an invisible menace. With a special interest in the gaze of the oppressed, Kowalski delivers a somehow melancholic film, revealing a declaration of love to the land and nature before they go into oblivion.
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